In Rome it hasn’t rained for three years and the lack of water is overturning rules and habits. Through the city dying of thirst and prohibitions moves a chorus of people, young and old, marginalised and successful, victims and profiteers. Their lives are linked in a single design, while each seeks his or her deliverance.

　　在战争起始,开端,肇始,启始时，内向的年轻士兵弗兰兹发现了一只受伤的狐狸幼崽，小狐狸在树林中孤苦无依的样子，让他仿佛看见了从小被爸爸,父亲大人,爹爹,老父亲卖去农场主家的自己。他像关照,照应,关怀,关爱自己的孩子一样关照,照应,关怀,关爱它，并带到了被占领的法国。在养育狐狸的过程中，弗兰兹一直逃避的过去慢慢追上了他，是抉择,挑选,取舍,取择持续,延续,存续,连续逃避这些悲伤,难过,哀伤,痛心的忆起,追忆,回想,缅怀，还是直面它，弗兰兹陷入了深深的纠结。

　　《稻浪上的夢想家》是一部60分鐘紀錄片。故事起點，從一粒米說起。台東池上米廠之子梁正賢，外人眼裡，不像糧商。20年前，他為推動有機米栽種，連續8年，每年虧損400萬；再為一張僅僅3乘以5公分大小的產地標章，每天一睜開眼，起身吵架，一身是膽地力抗龐大利益，爭取到全台第一張專屬米的身份證明。20 年下來，池上盛產好幾屆冠軍米農，池上米價攀上全台最高價，大幅翻轉農民日常,生存,生计,日子。再後來，每年的秋收藝術節，讓地處台灣東南一隅的池上，登上國際期刊，吸引遊客慕名而來，從而變身不一樣農村。
　　池上的美，不只天堂路與金城武樹，而是這片遼闊無人為建設切割的數百公頃稻田裡，孕長出來的土地與人、人與人之間的深厚世代情。
　　紀錄團隊以兩年半時間，走進農民日常,生存,生计,日子，紀錄不同世代農民種植有機米歷程，也紀錄下池上四季風貌。從插秧、成長、結穗到收割，無言而喻池上蛻變與發展，從種稻開始改變到藝術扎根，創造夢想新家園。

影片围绕云南镇雄县小镇的诗人单单展开。单单日常,生存,生计,日子孤寂,寂寥,冷寂,寥寂,孤寂,寂寥,孤单、性格孤傲，先后与美女网红、寻诗女人及持枪少妇产生情感纠葛。美女博主深陷债务，寻诗女人怀揣浪漫，神秘少妇背负不可告人的秘密。在欲望与情感、幻想与忆起,追忆,回想,缅怀、日常,生存,生计,日子与诗歌之间，一张无形的大网将所有人的命运纠缠在一起，引向不可预知的结局。

Stressed? Burnt out? You’re not alone! With black humour and biting irony, we get the incredible story of how modern working life became its own worst enemy – and what we can do to change it.
Burnout, endless meetings and colourful Post-It notes with empty marketing phrases have hijacked meaningful work. How did we get there? Based on a sabotage manual developed during World War II, John Webster’s wildly entertaining and deeply upsetting film demonstrates how modern work has become a monster that devours itself – and everyone else around it. Without losing sight of the system’s human toll, the film speaks directly to a current agenda about how and how much we should actually work. And fortunately for all of us, there actually is a solution. At the heart of the film, we sit in with a group of successful business people as they come together to share their stories of burning out – and how they got on in life. Most people will no doubt be able to relate to much of ‘The Happy Worker’, and have a good, much-needed laugh about how it got this far.

Set between Hong Kong, London and Frankfurt, this is the intimate portrait of five women working in the highest spheres of finance. Regularly stigmatised as “dragon-women”, they reveal the survival mechanisms they use and the personal battles they fight in this ultra-patriarchal professional field where they represent a tiny minority.

Having successfully tracked down NBA enigma Bryant Reeves in 2018’s festival hit FINDING BIG COUNTRY, director Kathleen S. Jayme now investigates a sprawling true sports crime: who’s responsible for robbing us of the Vancouver Grizzlies?
In revisiting the short history of the bad luck bears who racked up all the wrong kinds of records (see that 23-game losing streak in the 1995-1996 season), Jayme’s documentary doubles as a testament to the enduring passion of true teal blue fans. It’s this passion that fuels a dogged odyssey that finds Jayme infiltrating corridors of power at the NBA’s head offices and knocking on doors as she connects the dots and reconnects with the heroes and villains of Grizzlies lore, including former players like Shareef Abdur-Rahim and Mike Bibby, and the team’s architect, Stu Jackson.
The level of access is astonishing—there are “gets” that we don’t dare reveal—and so too is the candour of the interviewees. What emerges is a rousing story about the irrational fervour of fandom and sport’s unique ability to create identity, strengthen family ties, and forge community.

纪录片《猫爸爸们》叙述,阐述,陈述,描写不同行业的男人和猫的故事。

万物都有其时节，过早的开放，就会过早的凋零。男女同学之间，彼此钦慕，是人类赋予我们的权利；互相援助,协助,辅助,助力，是社会主义道德情怀；讲自由，要自律；不早恋，是持续,坚守,执着,恒心对自己、亲人,亲属,眷属,家属和学校的一份责任。

　　法国名厨加布列终于获得三颗星的殊荣，站在事业的巅峰，他却一点也不愉快,欢喜,欢乐,愉快,欣喜,喜悦,欢畅。与孩子,男孩,少年,男童疏离，妻子有外遇，没有人可以分享的他决心,打算,计划,准备自己买醉，不料引发了心肌梗塞。人生跑马灯让他忆起多年前的一场米其林竞赛，一位个子矮小的日本厨师却以“一碗拉面”击败了他，让他的职业生涯停留,驻留,滞留,逗留一道永难忘怀的缺憾,憾事,缺陷,瑕疵，并成为纠缠他多年的心结。于是，他决心,打算,计划,准备抛开一切，启程前往日本找寻记忆中的“UMAMI”。

　　Richard Steele welcomes the drug trade into his plethora of felony activity. As advocates of community reform urge him to pursue righteous endeavors.

　　米卡·阿卜杜拉(《青春相对论》)、杰克·索特([社交网络追爱记])将领衔,主役,担纲,主角青春喜剧[吸引力](Sex Appeal，暂译)。该片由塔莉亚·奥斯汀([帮帮我])执导，塔特·汉约克操刀剧本。故事叙述,阐述,陈述,描写功成名就的女明星艾弗里·汉森-怀特与男友异地相恋，当男友暗示想在即将到来的舞会上进一步发展两人的关系后，她起始,开端,肇始,启始面临,直面,应对,应付自己的欲望并且求学,进修,研习,学业爱情的模式，过程中，她意识到感情需要的是感性而不是理性。

　　高考在即，小丽的准考证被码头恶霸刘强抢走，以威胁李老八退出码头的水产生意，老八为了妹妹能顺利参加高考，完成父母和自己的心愿，不惜一切代价，在浩叔等人的援助,协助,辅助,助力下，终于亲手了结了和刘强的恩怨，而妹妹小丽也如期走进了高考的考场。

　　解剖学发明以来，人体奥秘起始,开端,肇始,启始为世人所知所见。然而，大家习惯的始终是那副最表面的臭皮囊，或留恋或厌倦，或相拥,抱住,搂抱,怀抱或憎恶。假如能深入体腔，即时观察微肌细理，体液流动，可会了悟个中奥妙，那欲肉不为肉所欲的真义？得到医院前线及技术人员协助，韦莲娜柏丽芙与路西安卡斯当泰来再现了内窥和 微创手术的影像，辅以病人和医护的日常,生存,生计,日子点滴，让作为关怀、痛苦、渴望,期望,盼望,企望和被宰制场所的身体，成了光影景观的主角。血肉不再模糊的结果，可会对人文多一份凝视？

　　12岁女孩达尔瓦被有恋童癖的爸爸,父亲大人,爹爹,老父亲从小严格控制并塑造成芭比娃娃的样子，她也认为自己是一个女人，与爸爸,父亲大人,爹爹,老父亲爱恋,相恋,恋情,恋慕,相恋,爱恋,热恋没有错，直到她的爸爸,父亲大人,爹爹,老父亲被逮捕。本片是法国导演艾曼纽·妮可的长片处女作，她挑战了一个难度极大的道德主题，用克制清晰的镜头语言直指严肃尖锐的社会问题。摄影机紧紧跟随主角达尔瓦，记录她从被塑造的老成,稳重,老练,练达女人、经过自我觉醒、慢慢求学,进修,研习,学业成为一个年轻女孩的艰辛过程。饰演,出演,演出,表演,出演,担纲,担当达尔瓦的新人演员塞尔达·萨姆森以强有力的表演荣获2022年戛纳电影节影评人周单元新星奖，本片亦荣获戛纳电影节平行单元费比西影评人奖。

这是一部人和智能手机的故事。故事出现,产生,形成,酿成在一个夜晚、一台车内，是由一个演员支撑全片的独角戏：离婚后的老吴为打发时间成了一名“网约车”司机，这天晚上意外在车上捡到一部智能手机，谁知在归还手机的路上，这部手机又此起彼伏的响起，为了查清手机真正的主人，老吴几乎不费吹灰之力便利用手机的“智能”将手机主人变成了一个毫无隐私的透明人，同时在这个过程中他也终于醒悟了自己离婚的真相。

Marianela Maldonado’s observational documentary charts nine years in the lives of young Venezuelans whose musical talent offer a chance for them to escape poverty.                                    
                               　　In the heart of the city of Valencia lies the neighbourhood of Las Brisas. Crime and poverty dominate daily life, but for Dissandra, Edixon and Wuilly there is an opportunity to break away. ‘The System’ is a state-funded orchestra programme that gives young talent of limited means a hopeful future. However, as the years pass, the children face new obstacles and when their dreams are almost within reach, Venezuela’s economic instability could jeopardize everything. Maldonado’s film skilfully balances intimate portraits of its subjects with a more expansive overview of a country reaching breaking point.

A series of events, apparently casual, lead Silvia Monteferrante to suspect that there was something else behind the accidental death of her ex-husband.

　　影片故事发在在《复仇者联盟4：终局之战》事件之后，雷神索尔（克里斯·海姆斯沃斯 饰）踏上了一段他从未经历过的旅程：找回自我。但索尔的退休计划却被企图消灭众神的屠神者格尔（克里斯蒂安·贝尔 饰）打断，他只好与女武神瓦尔基里（泰莎·汤普森 饰）和寇格（塔伊加·维迪提 饰）再次联手，其间更发现自己八年未见的前女友简·福斯特（娜塔莉·波特曼 饰）获得了雷神之力、挥舞着多年前在自己面前毁灭的雷神之锤，令索尔惊奇,吃惊,诧异,意外不已。他们一起踏上了星际冒险，以揭开格尔的复仇之谜，并在为时已晚之前阻止他。

　　连环命案、私刑执法、预告杀人、以暴制暴...一群号称“神探”的团伙掀起了一场香港有史以来最险恶,凶恶,歹毒,恶毒的犯罪！患有精神疾病的“癫佬神探”李俊（刘青云 饰）为查真凶独闯犯罪现场！以“神探夫妇”陈仪（蔡卓妍 饰）和方礼信（林峯 饰）为首的重案组也开启了与杀戮赛跑的缉凶之路！敌友之间，正邪边缘，死亡审判的真相究竟是什么？真正的“神探”到底是谁？