《一场很（没）有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影！影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚，然而在职业,事业,工作岗位,职责过程中却困难重重，险象环生，出现,产生,形成,酿成了一系列令人啼笑皆非的故事。

　　将孩子,女孩,少女,千金们送往冬令营，乔许与艾玛这对老夫老妻，终于获得睽违已久的一周假期。偷得浮生七日闲，原想重燃爱火大搞一场，结果发现性致不如以往。面临,直面,应对,应付中年婚姻危机，两人决心,打算,计划,准备积极处理：邀请同僚,工友,伙伴,搭档三人行却不太行、去俱乐部找刺激却找到亲戚、嗑药助兴却力不从心提早泄气，还有骚包下属和暗恋老友在一旁搅局，眼看孩子,女孩,少女,千金们返家在即，他们到底能不能重拾性趣？

　　When a troubled couple escape to their rural farmhouse for a weekend of re-connection, they realize that their ability to save their marriage will literally determine the fate of humankind itself.

　　职业罪犯小吉尔伯特·加尔文(杜哈明饰)从美国监狱逃出并越过边境进入加拿大，在加拿大，他化名为罗伯特·怀特曼，有了新的身份。在坠入爱河并成婚,完婚,婚配,嫁娶后，他声称接受了一份旅行安全顾问的职业,事业,工作岗位,职责，但他大胆的犯罪行为仍在持续,延续,存续,连续。在他向终身黑帮成员汤米(吉布森)寻求投资后，他的事业变得更加繁复,纷繁,繁杂,杂乱，他卷入了加拿大历史上最大的抢劫案，这使他成为跨国追捕的核心人物。

　　Departing for college, Abbie leaves her parents and brother who has autism and is non-verbal. As she explores her independence and sexuality, she's torn between her new life and her love for her brother.

　　凯南·朗斯代尔(《爱你，西蒙》《闪电侠》)、迪伦·斯普罗斯(《小查与寇弟的顶级日常,生存,生计,日子》)、萨拉·海蓝德(《摩登家庭》)将领衔,主役,担纲,主角LGBTQ题材爱情喜剧片《我的假男友》(My Fake Boyfriend)，狮门和Buzzfeed出品。
　　罗丝·崔奇(《拉字至上》)执导，叙述,阐述,陈述,描写一个年轻人(朗斯代尔)在最好的伙伴,好友,挚友,密友(斯普罗斯)的建议下，创造了一个假的社交媒体男友，来让糟心的前任远离自己的日常,生存,生计,日子。而当他遇到了生命中的真爱，这个计划事与愿违：事实证明要和他的假男友分离,离别,离别,分别,分离,别离,分散,分别,离别,分离真的很难。
　　该片下个月在加拿大开拍，计划在明年6月同志骄傲月期间北美上映。

　　90年代初期，素英离去,分离,离别,离别,分别,分离,别离,分散,远离,分离韩国，独自带着孩子,男孩,少年,男童东贤日常,生存,生计,日子在加拿大郊区。素英决心为孩子,男孩,少年,男童提供更好的日常,生存,生计,日子，于是她奋斗,拼搏,奋进,进取克服种族问题和文化差异。随着年龄的增长，东贤对妈妈,母亲大人,娘亲,老妈妈在韩国的过往越来越好奇，尤其自己的爸爸,父亲大人,爹爹,老父亲——妈妈,母亲大人,娘亲,老妈妈不愿意提起的那个男人。与之相反，素英则全心建设她的新日常,生存,生计,日子：她起始,开端,肇始,启始与一位韩裔意大利人发展关系，这位善意,良善,仁慈,慈善的先生也渴望,期望,盼望,企望成为东贤的继父。但这一行为却让她和东贤之间的关系更加紧迫,焦虑,急迫,忧虑。一天，突如其来的噩耗让母子俩重回韩国。这次旅程使他们重新体验,体会,感悟,感悟到了与故土的联系。

　　一名怀孕的罐头厂工人在桃子当中发现了她认为是入侵性的昆虫后，必须设法让社区相信,坚信,深信,笃信它所构成的危险是真实存在的。

　　柏林电影节论坛单元
　　An immersion into the rich landscapes of Sable Island and the life of Zoe Lucas, a naturalist and environmentalist who has lived over 40 years on this remote strip of sand.

　　Sarah is an organic farmer who meets a man claiming to be from 1787, she quickly discovers old-fashioned feelings that can be just as crazy as her story.

　　《雨傘學院》帕特里斯古德曼參與演出！安吉拉一直渴望有個美滿家庭，現在她和她恩愛的丈夫基斯如願以償。然而，美夢才持續持續了不久，當她發現前男友可能在跟蹤她時，她驚恐萬分並向凱斯尋求保護。但無論她再怎麼奋斗,拼搏,奋进,进取，似乎都無法擺脫這個破壞她日常,生存,生计,日子的詭異跟蹤者，她開始懷疑這一切。

　　Ethan and his best friend Justin are students trying to make sense of their high school existence. In what will be the last chapter of their teenage lives and the beginning of adulthood beyond, they decide to make the ultimate senior video in the search for answers. Exploring teenage suburbia in a no-brakes adventure, questions arise whether there’s more to their lives than simply growing up.

　　Constance works for an independent radio station where she broadcasts sound creations of political character. She lives with Eugene, an aspiring writer, voluntarily withdrawn from the outside world.

　　Canadian director V.T. Nayani’s feature debut, starring Devery Jacobs and Priya Guns, is a queer love story about two young women — one Iranian and Kanienʼkehá꞉ka, the other Tamil — living in Toronto and dealing with difficult family legacies.

　　故事出现,产生,形成,酿成在1990年代初，处于青春期的杰敏在爸爸,父亲大人,爹爹,老父亲去世后被送到亲戚家日常,生存,生计,日子，亲戚家是虔诚的“耶和华见证会”信徒。在那里，杰敏与一位见证会长者的孩子,女孩,少女,千金玛丽克建立了意外的联系，她们立即被对方吸引并起始,开端,肇始,启始了秘密的、不言而喻的地下感情,爱情,情缘,情愫。但是，当她们之间的吸引力变得再也无法隐藏时，这个宗教社区起始,开端,肇始,启始将他们分开，迫使两个女孩在信仰和爱情之间做出抉择,挑选,取舍,取择。

　　一个小偷从暴虐黑帮老大邓波儿的贩毒窝点偷了数百万现金后，在他逃跑的车里发现了一个偷渡者:邓波儿怀孕的妻子米娅。邓波儿不顾一切地要回他的钱和他未出生的孩子,男孩,少年,男童，派出一队杀手和赏金猎人把米娅和小偷带归来,返回,回归,还来。速度、机智和瞄得准给了他们短暂的优势，但他们的运气能维持多久呢?

　　Facing her first Christmas as a single mother, Julie develops an unexpected friendship with an older neighbor.

　　想再体验,体会,感悟,感悟一次惊悚的颤栗吗？在遭到暴力抢劫后，即将为人父母的夫妻两人离去,分离,离别,离别,分别,分离,别离,分散,远离,分离城市，前往充满田园风景的乡村。然而，原本应是抚养孩子的理想之地，在邻居出现之后，却渐渐变了调？

　　2008年1月，布里奇波特。一个十几岁的女孩被发现吊死在她的房间里。虽然一切都指向自杀，但验尸报告显示了其他的东西。十年后，导演和这名少女的表妹研究了这起未解决的犯罪的过去原因和未来后果。就像一部想象中的传记，影片将探讨日常,生存,生计,日子空间的安全和可能危及它的暴力之间的关系。

　　Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo

　　当一名记者回到她的家乡调查她童年时最好的伙伴,好友,挚友,密友的失踪时，她长期潜伏的跟踪者重新出现。

　　It follows a college student as she boards a party train for Halloween, and ends up fighting for her life when a mysterious assailant begins killing the people one-by-one.

　　Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.
　　Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.