不久的未来当时空旅行不再是梦想，一家旅行社专为客户安排史前时代狩猎恐龙的冒险旅程，每一趟行程都是精心规划，侦查员会先确认恐龙即将死亡才送乘客抵达，以免造成时空异变的突发状况。然而，不幸还是出现,产生,形成,酿成了，一名紧迫,焦虑,急迫,忧虑的旅客错杀了一只蝴蝶，竟造成了难以挽回的连锁反应，令他再也回不到原来的那个地球。现在恐龙猎人向导与时光机器发明家必须联手及时阻止连锁反应扩散，威胁到全人类的生存环境。

　　在一个迥异鬼魅的社会，上百层的高楼大厦拔地而起，俨然构筑了一个全然封闭的城市乡镇。居住在138层的女子高中生藤崎（藤崎露琪诺 饰）此前很长时间没有去学校，这一天她乘坐交通工具“移动机筒”赶往学校，不同身份的乘客相继走入，带着各异的目的去往他们的楼层。谁知意外毫无征兆出现,产生,形成,酿成，移动机筒因爆炸事故突然终止,中止,停顿,暂停运行。突如其来的状况，让所有人的命运出现,产生,形成,酿成转变。原本甘心受戮的死囚犯仿佛窥到一线生机，因此展开拼死搏杀。逼仄的轿厢内，人间地狱骤然降临。
　　在此过程中，藤崎好像发现自己拥有某种奇特的能力，而她的命运也变得愈加扑朔迷离……

　　这个是1978年老版得试播集，148分钟片长

　　Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.

　　Larry Talbot chips Frankenstein's monster out of a block of ice. When Talbot changes to the Wolf Man, the two creatures do battle.

　　1978年意大利大卫奖最佳外语片。
　　1945年的一天夜里，当诺伊·尼尔瑞（理查德·德莱福斯 Richard Dreyfuss 饰）在装载卡车时，忽然被神秘的光线所笼罩，之后奇怪的幻象和五个音符一直在他脑海中回旋。他能否发现幻象的意义，又是谁将其置于他的脑海中呢？
　　与此同时，美国政府同星际来客有了一定的接触并确定其降落的地点。为了掩饰真相，政府要求人们远离此地。然而，包括诺伊在内的一群人，却被其共同的幻象所吸引，来到此地。
　　在沙漠中的魔鬼山上，空军临时修建的基地上空，外星人如约来到，他们的飞船流光异彩，将半个天空都照亮了。人类播放了以前从太空接受到的外星人信息中破译出的音乐作为联络的手段，飞船的大门打开了，从前失踪的地球人都回到了自己的家乡，而一批外形矮小的外星人则来到地球人中间和他们做心灵的沟通……

　　一个险恶,凶恶,歹毒,恶毒的生育实验创造了一代扭曲的孩子。 一个无情的女人在破坏这些突变的婴儿之前已经做好了这件事，摧毁了这个世界！ 一个妈妈,母亲大人,娘亲,老妈妈和她唯一的伙伴,好友,挚友,密友在爱之间被撕毁了这个变形的人的排斥，并准备为了生存而战，但这个宝宝不需要爱。 它被编程为不惜一切代价生存。

　　As its title suggests THE FABULOUS WORLD OF JULES VERNE is an awe -inspiring, meticulous cinematic rendering of the aesthetic and conceptual inventions of proto-science fiction genius Jules Verne, based on one of the famed author's lesser known short stories. However, the real star of the film is the intricate art direction, successfully rendering the visual style of nineteenth century woodcuts and engravings into motion pictures, creating a stylized and surreal graphic world within which Verne’s fanciful tale unfolds. A brilliant scientist, Dr. Roche, perches high above a stormy sea, inventing a powerful explosive, when he and his assistant are kidnapped by an evil businessman, Artigas. Taken by submarine to Artigas' volcano headquarters, Roche is tricked into developing his experiment for evil intentions. The scientist’s assistant, Simon, struggles all the while to free himself and warn Roche. A magical world of baroque submarines and sailing ships, killer octopus, undersea bicycles dazzles audiences as human actors, puppetry, animation and fanciful scenic design interact to create a cinematic experience that is unique by any standards. Mixing slapstick comedy, action adventure pacing and Mélies style film magic, this little known Czechoslovakian gem transcends the juvenile literature at its source to create cinematic art of the highest order....

　　一个诚实的科学家把死去的百万富翁(多诺万饰)的大脑保存在水箱里。多诺万成就,胜利,凯旋,成果地把他强大的意志强加给这位科学家，并利用他来谋杀他的敌人。

　　Dr. James Xavier. A world renowned scientist, uses special eye drops to give
　　himself x-ray vision, but the new power has disastrous consequences.

　　故事叙述,阐述,陈述,描写刚离婚不久的格雷格(威尔逊饰)遇到了迷人的伊莎贝尔(海耶克饰)。伊莎贝尔住在大街上，认为这个被污染、破败不堪的世界并不是真实的。她相信,坚信,深信,笃信这个难看,丑恶,丑样,丑态的世界是在一个美丽、和平、“真实”的极乐世界的内部。起初格雷格表示猜疑,疑惑,质疑,存疑，但他最终发现这个理论很有道理。

　　'The Chariot' tells the story of a corporation and doctor (John Malkovich) that oversees the process of reincarnation, and a young man (Thomas Mann) who becomes a glitch in the system when he encounters a woman (Rosa Salazar) he loved in a previous life.

　　在外太空探险的美国“天鹅号”太空船，由冷酷严峻的蓝刻博士领导，他有著一个狂妄的科学计画，正阴谋进行中，机缘巧遇的“天鹅号”找到了宇宙最神秘的禁地——黑洞，他们不顾一切的闯入，经历了人类前所未有的冒险历程。

　　这部电影的故事情节涉及纽约多个居民犯下的一系列无动机谋杀案：一名狙击手从水塔中射杀人; 一位爸爸,父亲大人,爹爹,老父亲谋杀了他的亲人,亲属,眷属,家属; 在圣帕特里克节游行期间，一名警察向人群开火。 犯罪的唯一共同点是肇事者都冷静承认有罪，并解释说，“这是上帝的旨意。” 在调查谋杀案时，天主教警察彼得·尼古拉斯越来越多地被一个名叫伯纳德·菲利普斯的证词所困扰，他们发现每一个杀手出现，似乎都无法摆脱他自己的命运与这种神秘事件的联系。随着他逐渐接近真相，他最担心的事情得到了证实。

　　惹鬼回路2所出现,产生,形成,酿成的恐怖事情令大家无法忘记。在经过10年之后，这些不死之物又来侵犯我们的世界，这次，它们将会通过我们日常的用品 - 电子。Justine日常,生存,生计,日子在一个只有少许科技用器的营里，她是一位17岁的年轻女孩过这普通,寻常,一般,平常的日常,生存,生计,日子，直到有一天。。。在她居住的地方外面，有一可疑的电脑本被丢弃，而充满好奇心的她尝试去解开秘密，惹鬼回路3就这样起始,开端,肇始,启始了。

　　约翰．卡彭特导演的这部科幻片并没有强调特技噱头，反而将重心放在异乡人的主题上，而且拍出了相当浪漫动人的气氛，甚至可以将它当作一部取外星人为主角的文艺片来欣赏。杰夫．布里奇斯饰演,出演,演出,表演,出演,担纲,担当一名纯真的外星人，他的宇宙飞船被地救人击落，掉在威斯康辛州的荒野。他负伤来到新近丧偶的寡妇凯伦艾的家中，并且借用她丈夫的身体来延续生命。在求学,进修,研习,学业地球人的日常,生存,生计,日子方式过程中，他跟寡妇出现,产生,形成,酿成了感情。外星人的救援队将在三天后到达亚历桑纳州接他回外层空间，他需要寡妇开车送他到那里。地球上的两位政府官员也接获讯息，他们决心,打算,计划,准备不管生死都要捉住外星人，因而引发了一场精彩的拉锯战。

　　故事背景是未来世界的洛杉矶，此时已有三十万的外星人劳工移民进入美国，跟地球人打成一片。地球刑警塞克斯的搭档惨遭杀害，为了找出真凶，他只有接受外星族警察法兰西斯作为新搭档。在追查真相过程中，两个不同种类的刑警逐渐消除了对彼此的不信任，以及克服在不同种族查案时遇到的阻碍，合力对付主要的嫌疑犯——不怀好意的地球企业家泰伦斯·史丹普。

　　一个外星人家庭在不幸意外地被美国探测太空船携回地球，他们在一阵混乱中冲出太空总署逃向沙漠，但小外星人麦克与亲人,亲属,眷属,家属失散，溜上了不良于行的艾瑞克亲人,亲属,眷属,家属的旅行车而跟著车到了内华达州。麦克在一次意外事件中救了艾瑞克之后，与艾瑞克兄弟和邻居女童黛比等人结为好友，并要求他们协助搜救在沙漠中垂死的亲人,亲属,眷属,家属。艾瑞克一行人终于在麦克的指引下找到他的亲人,亲属,眷属,家属并带他们归家,返家,还家,归宅，却不意在超级市场中造成骚动，警方及尾随而来的科学家们企图抓住他们而引发了冲击…

　　丰国商事在北海道纹别地区一直进行着森林采伐，作为现场监督人员的后藤裕一无意中发现了隐藏在这片森林之 中的古代遗迹并将埋藏在这片遗迹中的一枚盾牌拿了回去。
　　其实这片遗迹是妖精族停留,驻留,滞留,逗留来的，在此地还 封印了一个叫做帝斯基多拉的宇宙怪兽。6500万年前从外星而来的它毁灭了一切植物，导致了恐龙灭绝，而那枚盾牌正是用来封印怪兽帝斯基多拉的。
　　对此毫不知情的裕一将这枚盾牌带回了位于都内自己的 家并把它作为挂饰送给了自己的孩子,女孩,少女,千金，然后自己又返回到了采伐现场。黑色妖精贝拉贝拉飞来抢夺这枚盾牌并与对立派莫儿、罗拉姐妹展开了盾牌争夺战。在被莫儿、罗拉姐妹告知盾牌和封印的由来的后藤一家与莫儿、罗拉姐妹一起准备前往纹别。但在纹别的却出现了一块巨大的岩石。在后藤一家的协助之下罗拉姐妹夺回了盾牌，但是怪兽帝斯基多拉却从岩石中复活了。它像恶魔一样恐怖。为了打到怪兽帝斯基多拉，莫儿召唤来了摩斯拉。但是摩斯拉刚刚产完卵，寿命不长的她和怪兽之间陷入了苦战。为了助自己妈妈,母亲大人,娘亲,老妈妈一臂之力早产的 幼虫通过自己的丝和光线支援妈妈,母亲大人,娘亲,老妈妈作战。
　　摩斯拉不断挑战怪兽，使水库决堤成就,胜利,凯旋,成果的将怪兽逼到了对岸，但是摩斯拉拼尽了全力最终沉入了海底。在这之后，幼虫在屋久島充分吸收了森林的能量新的摩斯拉再次诞生了。于此同时怪兽也已经重新恢复到毁灭地球时的完 全状态，新的摩斯拉与怪兽再次交战，他以压倒性的力量和优势再次将怪兽封印到了地下。此后，摩斯拉让被怪 兽烧掉的已成荒芜的北海道瞬间重获绿色，并和莫儿、罗拉姐妹一起返回到了家乡。

　　格伦·曼宁因为受到了严重的辐射中毒而变成了60英尺高的巨人。由于从大坝上摔下来，他的脸被毁容了。军队给他下了药，把他送回了美国。在那里他逃脱了，并对城市进行了严重的破坏

　　Based on the novel by Karel Capek, the prominent Czech writer of the early 20th century who coined the word robot for his play R.U.R., the story revolves around a discovery of Krakatit - a powerful explosive - by Prokop, an experimental scientist who, following an accidental explosion in his lab, slips in and out of delirium. When he realises that, in a delirious period, he has given the formula for making Krakatit to one of his colleagues, he tries to find the man, who does not realize how dangerous a thing Krakatit is. In the process, he nearly gives his discovery away again to foreign interests, a group of anarchists, and even greater forces of darkness...

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.