阿里，一个20多岁的年轻人，在突尼斯的街头以违法贩卖汽油为生，警察还总来抽油水，他的日常,生存,生计,日子很不稳定。阿里梦想能通过自己的奋斗,拼搏,奋进,进取去欧洲过上更好的日常,生存,生计,日子，但爸爸,父亲大人,爹爹,老父亲的突然去世使得养育两个妹妹、偿还债务的重担落在了他的肩上。正当他们全家即将被赶出家门时，一个机会落在了阿里面前。然而，在一个充满腐败的社会里，“机会”总是意味着“非法”，这个决心,打算,计划,准备很可能会令他无法回头。

　　达伦·阿伦诺夫斯基将执导、编写新片《庞然大物》(The Whale)，布兰登·费舍(《森林泰山》《木乃伊》《地心历险记》)领衔,主役,担纲,主角，A24出品。
　　基于Samuel D. Hunter创作的同名戏剧，叙述,阐述,陈述,描写在爱达荷州乡村一个破旧的公寓里，重达六百磅的查理隐居避世，固执、坚决地要把自己吃死。随着查理越来越接近不可避免的命运，他的伙伴,好友,挚友,密友丽兹(一个愤世嫉俗的无神论者护士)和埃尔德·托马斯(一个年轻而有前途的摩门教传教士)都试图在查理身上找到能被拯救的意志，无论是肉体上还是精神上。然而，只有与查理关系疏远的孩子,女孩,少女,千金艾莉才能让他看到目前绝望状态之外的未来，艾莉虽然尖酸刻薄、充满仇恨、浑身是刺，查理却能在她身上找到最后一次赎罪的机会，甚至可能是一丝渴望,期望,盼望,企望。

　　Tom, a high school senior who is required by his father to find a new residence within 2 weeks, finds himself in a demanding relationship with a fashion photographer who is older than him, while secretly being in love with his close friend Gilad.

　　A story of siblings building a tree house together over the course of a year. We experience the beauty and brutality of the seasons, as we follow them through their struggles and moments of joy.

　　An intimate evening between a film director and an escort is disrupted when a familiar face arrives.

　　本片根据公安英模郝世玲真实事迹改编。叙述,阐述,陈述,描写了唐安市接警中心接到报警说机场有炸弹，基层女警郝爱玲凭借对所属辖区的了如指掌，锁定报警人为胡坤。报假警被处罚的胡坤对郝爱玲心生怨恨，在“兄弟们”的怂恿下起始,开端,肇始,启始针对郝爱玲并恐吓她上小学的孩子,男孩,少年,男童。郝爱玲明知是胡坤作乱，但考虑到他老婆怀着身 孕，几次对其一家出手相助，渴望,期望,盼望,企望能感化胡坤改邪归正，一起揪出打架斗殴开设赌场暴力催收的涉黑团伙……

　　叙述,阐述,陈述,描写一个女孩在姐姐去世后重新面临,直面,应对,应付日常,生存,生计,日子与爱情的故事

　　唐大道夫妻因疾病夺走孩子,男孩,少年,男童而痛彻心扉，痛楚之中，爸爸,父亲大人,爹爹,老父亲唐大道起始,开端,肇始,启始反思自己在处理父子关系上的缺憾以及个人心绪上的阴霾，他渴望与孩子,男孩,少年,男童对话，以安抚孩子,男孩,少年,男童的灵魂。
　　影片改编自茅盾文学奖得主周大新的同名小说《安魂》。

　　故事的两位男性主人公各自承受着不公以及心灵的煎熬，一位含冤入狱，另一位长期遭受着身体疾病的困扰。萦绕在他们头上的，是无法驱散的现实的阴影。最终他们不得不以一场决斗来终结过去的那段困扰他们多年的历史。潮起潮落，海水终会将一切过往洗净。

　　盲人阿里正在自杀，楼道管理员敲开了他的家门，告诉他警方正在搜索的逃犯莱拉就躲在大楼里。渐渐地，阿里发现这个女人其实就藏在他的房子里。莱拉因参与了一场工人抗议运动并引起了骚乱被警方带走，四岁的孩子,男孩,少年,男童因此失踪，为此莱拉懊悔不已。逐渐地，阿里对莱拉有了感情，援助,协助,辅助,助力莱拉成为他逃避现实的一种方式。

　　影片由Amanda Kramer执导，Amanda与Noel David Taylor共同操刀剧本，故事叙述,阐述,陈述,描写一对新婚夫妇在20世纪50年代的曼哈顿目睹了一场谋杀案，成为了犯罪团伙追杀的目标，而这也唤醒了这对夫妇潜在的性别认同。该片目前在美国比尤特拍摄中。

　　沒有人理解農會之花月鵝對企鵝的熱愛，但她堅信總有一天能找到命中註定的那頭鵝一起前進南極！當穿著企鵝裝的何德利橫空出世，對她做出一連串企鵝的求偶動作，頓時天雷勾動地火，月鵝愛上了何德利！她究竟要如何打動如死魚般的何德利呢？

　　Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy.
　　Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life.
　　This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.

　　A 16 years old veiled girl is terrified to get out the Luxembourg airport.

　　新手妈妈阿玛雅还没有适应妈妈,母亲大人,娘亲,老妈妈这个角色。丈夫离家几周，孤立无援的她决心,打算,计划,准备回到巴斯克海滨小镇父母的家里向他们求助。然而就算有父母的援手,搭手,帮衬,帮助，育儿也绝非易事，矛盾和争吵接踵而来。尽管阿玛雅现在已经是一个妈妈,母亲大人,娘亲,老妈妈了，但她内心里，依旧还是一个孩子,女孩,少女,千金。

　　新技术转变,变化,蜕变,变迁了19世纪的一座瑞士制表小镇。约瑟芬是一位年轻的制表厂工人，负责生产机械表机芯中来回摆动的摆轮。自从对金钱、时间和精力的运用方式有了新的相识,明白,明了,知晓,理解,认知,懂得后，她起始,开端,肇始,启始投身于当地制表工人组织的无政府主义运动，并在运动中结识了俄国旅行者彼得·克罗波特金。

　　故事聚焦《纽约时报》女记者乔迪·坎托尔（佐伊·卡赞 饰）与梅根·吐赫（凯瑞·穆里根 饰），她们联手撰写了这个世代最重要的一篇报道，进而引发#MeToo运动，不但揭发了好莱坞数十年来默许的性侵真相，也永远转变,变化,蜕变,变迁了美国文化。
　　影片根据畅销书《她说：打破性骚扰的故事，援助,协助,辅助,助力点燃了一场运动》（She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement）改编。

　　Ranas家族是一个富裕的父权制家庭，他们渴望通过一个男婴的诞生来延续家族血统。此时，他们的小孩子,男孩,少年,男童秘密加入了一家色情舞蹈剧院，并爱上了一个雄心勃勃的变性女星。两人间无法开花结果的爱情故事将逐渐唤醒整个Ranas家族的性爱欲望。

　　一名困扰,烦恼,烦忧,烦扰缠身的摇滚乐队主唱试图与失散多年的孩子,女孩,少女,千金重建他从未体验过的父女情

　　为了恢复嗅觉并找回爱人，这名警探与一个为调制出圆满,完满,尽美,尽善香气不择手段的调香师展开合作

　　Anna is a 35-year-old single mother and a paramedic. One morning, as Anna is on the way to drop her daughter Katia at school, Katia is hit by a car. While her daughter is in a coma, Anna is informed that the driver was 18-year-old Marina, the daughter of a rich family. Marina’s mother is running for mayor and is willing to pay whatever to sweep the situation under the rug. The deal between the two parts is signed, yet is soon set off the table when the young girl suddenly dies.
　　Anna turns her grief into a search for justice, a fight against courts, police, and the hospital she works for. When Marina is found not guilty, Anna realizes that it’s not just the rest of the world that has let her down, but her own family as well. Now her quest for justice gradually becomes a quest for revenge…

　　入围塔林电影节影评人之选竞赛。
　　Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)

　　影片叙述,阐述,陈述,描写了一个青海高原藏区村落，少年多杰和姐姐格桑与奶奶一同日常,生存,生计,日子。早年失去妈妈的姐弟俩渴望获爸爸,父亲大人,爹爹,老父亲的陪伴，但爸爸,父亲大人,爹爹,老父亲一直在外忙碌，很少归家,返家,还家,归宅。一天，姐弟俩偶遇一只受伤的小黑颈鹤，善意,良善,仁慈,慈善的他们将其带归家,返家,还家,归宅关照,照应,关怀,关爱。冬季将至，没有亲鸟的带领，小鹤无法完成迁徙，姐弟俩决心,打算,计划,准备骑摩托送它前往云南越冬地。而爸爸,父亲大人,爹爹,老父亲听闻孩子们擅自离家，也立刻南下搜寻,寻觅,查找,探寻。这趟艰险的旅途，注定将是一家三口的老成,稳重,老练,练达,长大,发展,进步之旅，促使他们重新审视亲情的涵义……