In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

　　Mario works in a large warehouse of lost objects where he keeps all kinds of belongings all kinds of belongings accumulated over the decades. Mario, who has Mario, who has long since decided to distance himself from people, spends his spare time investigating the investigating the provenance of objects in order to return lost pieces of their lives to their owners. lost pieces of their lives to their owners. Only Helena, a young policewoman who the warehouse, has been able to break through his armour. armour. One day a suitcase rescued from the bottom of the river arrives at the warehouse. Inside, she finds she finds baby clothes next to some human remains. Mario decides to Mario decides to investigate on his own and following the trail of the suitcase he comes across Sara, a young woman trapped since she was a child in a human trafficking organisation. trafficking organisation. A network that treats people as if they were objects.

　　Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

　　Mili Naudiyal（Janhvi Kapoor 饰）是一名来自台拉登的 24 岁护理专业毕业生，她渴望,期望,盼望,企望移居加拿大以获得更好的前景，直到她陷入困境。她被锁在一家快餐店的步入式冷冻室里，必须不惜一切代价才能在这个不寻常的死亡陷阱中幸存下来。  @游目骋观影

　　时装设计师（伊娃·格林 饰）得了神秘疾病，这令她的医生感到困惑，令她的丈夫（马克·斯特朗 饰）感到沮丧，而直到一位菲律宾护工（柴·福纳齐埃 饰）的出现，她运用传统的民间疗法令设计师的病情得以好转，并展示,揭露,显示,呈示了一个令人恐惧的事实。

　　这部姬情恐怖喜剧是一个关于依赖共生关系的寓言：玛雅曾经是一个演员，现在靠在当地购物中心和图书馆重演她以前的一个角色为生。一天，她与来自伦敦的犹太裔年轻学者莉亚一见钟情。当莉亚突然患上癫痫、身体越发衰弱，玛雅决心,打算,计划,准备跟随女友回到伦敦。莉亚的妈妈,母亲大人,娘亲,老妈妈查娜刚好住在她们楼下，她是一个霸道而神秘的女人，玛雅试图和她搞好关系，但不见成效。随着玛雅注意到楼里出现的奇怪现象，她猜疑,疑惑,质疑,存疑查娜的秘密可能比预想的要黑暗得多——而她最爱的莉亚可能正背负着最大的秘密。

　　一名男子负责照看停在自己地盘上的车辆，但一伙毒贩试图让他和同伴在街头贩毒，这促使他必须设法保住自己的生计。

　　Based on an allegedly real-life paranormal case that occurred in Mardin, a Southeastern Anatolian city.

　　Spiraling out after a bad breakup, Wes ends up at a remote rest stop miles away from civilization. His situation worsens after he finds himself locked inside the bathroom with a mysterious figure speaking to him from an adjacent stall. As Wes tries to escape, he realizes he is an unwilling player in a situation bigger and more terrible than he could possibly imagine.

　　叙述,阐述,陈述,描写玛格丽特(豪尔)过着成就,胜利,凯旋,成果而有序的日常,生存,生计,日子，圆满,完满,尽美,尽善地平衡了她忙碌,劳碌,忙乱,劳累的事业和作为单身妈妈,母亲大人,娘亲,老妈妈对极度独立的孩子,女孩,少女,千金艾比的关照,照应,关怀,关爱。直到大卫(罗斯)出现，她的过去起始,开端,肇始,启始困扰她，精心计划的日常,生存,生计,日子出现,产生,形成,酿成了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。

　　It is based on a mother and daughter who deals with an uncertain threat that brings them closer together as a blend.

　　夜幕低垂，一名怀才不遇的电影人起始,开端,肇始,启始向伙伴,好友,挚友,密友叙述,阐述,陈述,描写一连串令人忐忑的故事，惊魂颤栗的转折也随即出现。

　　A man finds a ghost sitting in a chair that never moves, and opens up a ghost tourism business for the wealthy. But terrifying occurrences haunt the observers as they uncover the mystery behind the woman in the chair.