对于这个世界闻名的丑角三人组来说，没有任何一种艺术形式是神圣的。他们对侦探片也狠狠地嘲弄了一番：他们揭穿了店主的欺诈行为并以自己独特的方式将商店整理得焕然一新……和几乎所有的马克斯三兄弟的电影一样，情节只充当一根将所有单个场面串联起来的绳子。这座巨大的商店有着数不清的科室、规章条款、各式各样的人以及奇特的行事方式，这一切都给予了三兄弟足够的空间来传播她们恶毒的、毁灭性的幽默。

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

　　An ambitious newspaper reporter (Dick Powell), eager to scoop the competition, wishes he could know the news before it happens. A mysterious old man (John Philliber) grants the reporter that power, even as he cautions against using it. Now able to predict the news 24 hours in advance, the reporter goes about scooping all the other papers, picking sure-fire winners at the race track, and enjoying life... until he learns -- in advance, of course -- of his own death. Our hero's problem: How can he keep the future from happening?(imdb)
　　主人公每天晚上都收到一份次日早上出版的报纸，他获悉自己在数小时内即将毙命，然而他却幸存下来了。（乔治·萨杜尔《世界电影史》）

　　雷纳德曾经是名红极一时的职业橄榄球选手，但因某种原因被关进了监狱。狱长沃顿·海森（Warden Hazen）,（艾迪·阿尔伯特Eddie Albert饰）酷爱橄榄球，却生性残忍。他专门雇佣那些擅长玩橄榄球的狱警，让他们和犯人们进行“比赛”。可怜的犯人们根本不是对手，只能任由狱警欺负。富裕,富足,殷实,丰裕反叛精神的雷纳德来到球队中后，顶住了沃顿的压力，不搞种族歧视，而是团结众人共同对抗沃顿的压迫。渐渐地，他赢得了伙伴们的尊重，成为球队的精神领袖。可他也因此招致了沃顿的嫉恨。到底是舍弃,抛弃,割舍,摒弃比赛以重获自由，还是冒着在监狱里度过余生的危险而持续,坚守,执着,恒心下去呢？相信,坚信,深信,笃信每个人都会得到相同的答案。影片中的橄榄球赛场面可谓经典：大量的暴力镜头，激烈的碰撞，紧迫,焦虑,急迫,忧虑的气氛，受伤的队员躺在病床上还不忘收听广播为队友加油……一切都使人不由自主地沉浸在这场正义与险恶,凶恶,歹毒,恶毒的较量之中，忘记了时间的流逝。

　　越野摩托车冠军莱尔正在墨西哥沙漠收获他的又一个新奖杯，但机缘巧合之下，他连同着他的摩托车被时间机器当作实验器传送回了一个世纪之前，一个藏污纳垢之所……

　　A cocky guy joins the Navy for the wrong reason but finds romance and twice is cited for heroism.

　　查尔斯．拉蒙特执导的一部恐怖喜剧，由高脚七、矮冬瓜和鲍里斯．卡洛夫合演。剧情描述在维多利亚时代的伦敦，两名新手警察碰上了一个化身博士，展开了连串斗法。本片虽无特别精彩的笑料，但英国着名恐怖片明星鲍里斯．卡洛夫的演出及特技化装均有可观之处。当年在英国公映时，曾被电检列为X级，但后来却可以在儿童电视节目中放映。

　　John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
　　John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
　　Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
　　Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
　　When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
　　Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
　　John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
　　The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.

　　两个性格对比鲜明和出身背景全然不同的女孩，在她们十一岁时偶然于大西洋城的度假海滩相识,明白,明了,知晓,理解,认知,懂得,结识,相知,熟识，从此发展了一段延续三年的友情。贝特·米德勒是一名劳工阶层出身的纽约犹太人，为人热忱,热诚,热心,热切而自负，终日梦想着要在娱乐圈中出人头地。芭芭拉则是三藩市的社交名媛，聪慧,智慧,睿智,明智美丽,优美,秀丽,姣好又富裕,富足,殷实,丰裕，但是在爱恋,相恋,恋情,恋慕和婚姻中也经历,碰到,遇到,邂逅到不少挫折。两人透过书信往还，一直分享着对方的悲与喜，也建立了比亲姊妹还深的感情。然而她们终有一天也受到了友情的考验。

　　黛西（芭芭拉·史翠珊 Barbra Streisand 饰）是一个性格开朗活泼，人见人爱的姑娘，什么都好的她只有一个缺点，那就是烟瘾奇大无比。黛西的未婚夫特纳给黛西在食品公司里找了一份职业,事业,工作岗位,职责，这是一个清闲自由收入又高的职业,事业,工作岗位,职责，可唯一的要求就是从业者不能吸烟，因此，黛西必须在最短的时间里把烟给戒了。
　　为了援助,协助,辅助,助力黛西戒烟，特纳找到了心理医生查伯特（伊夫·蒙当 Yves Montand 饰），渴望,期望,盼望,企望查伯特能够通过催眠的方式来援助,协助,辅助,助力黛西戒除烟瘾。刚起始,开端,肇始,启始，查伯特是拒绝的，但当他发现黛西似乎有着某些异于常人的特异功能后，决心,打算,计划,准备通过催眠来解开其中的奥秘。

　　赖瑞是个愤世嫉俗的推销员。而才和老婆离婚的菲尔，高业绩已不再让他兴奋。现在又加入菜鸟鲍伯。三个作风迥异的业务员这次必须联手抢下生意大鱼。在绞尽脑汁追逐金钱之际，阻碍他们成就,胜利,凯旋,成果的，竟然是个「人性」问题?!

　　威利（弗朗基·穆尼兹 Frankie Muniz 饰）是家中的独生子，在那个年代，独生子是十分罕见的，威利因此而受到了同龄人的欺负和排挤，性格也变得愈加的孤僻。只有住在隔壁的丁克（卢克·威尔逊 Luke Wilson 饰）能让威利感到欢乐,愉快,欢喜,欢乐,愉快,欣喜,喜悦,欢畅,喜悦,欣喜和安全，他甚至向丁克请教成为棒球 投手的方法。可是没过多久，这个值得信赖的伙伴,好友,挚友,密友就离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了威利走上了战场。为了安慰悲伤,难过,哀伤,痛心的威利，妈妈,母亲大人,娘亲,老妈妈送给了他一只名叫斯齐普的小狗，斯齐普聪慧,智慧,睿智,明智又听话，在它的援助,协助,辅助,助力下，威利逐渐的敞开了心门，也有了一群伙伴,好友,挚友,密友。
　　丁克归来,返回,回归,还来了，却背负上了逃兵的罪名，威利邀请丁克来参加自己的橄榄球比赛，后者失约了。恼怒,动怒,愤怒,气恼,动怒,震怒,暴怒的威利将火气发泄到了斯齐普的身上，这直接导致了斯齐普的离家出走，而这时的威利才发现原来斯齐普对他来说是这样的重要，他决心要找到它，并且向它道歉。

　　Freedonia国家财政陷入困难，有钱的寡妇Mrs. Teasdale（玛格丽特·杜蒙 Margaret Dumont 饰）推荐Rufus T. Firefly （格劳乔·马克斯 Groucho Marx 饰）出任国家领袖，她才答应出资资助国家。Freedonia的邻国Sylvania想要对其发起进攻，Sylvania的大使Trentino于是派出了两名间谍Chicolini（奇科·马克斯 Chico Marx饰）和Pinky（哈勃·马克斯 Harpo Marx饰）去刺探Firefly的情报。然而这两个不专业的间谍却闹出了不少笑话。Firefly的秘书Bob Roland （泽伯·马克斯 Zeppo Marx 饰）让Firefly多加小心，然而昏庸的Firefly并没有放在心上，随着他和大使Trentino的矛盾越来越大，战争终于无可避免.....

　　杜立德的孩子,女孩,少女,千金玛雅·杜立德已经长大成人，到了青春期，妈妈,母亲大人,娘亲,老妈妈将她送往道奇农场渡过夏天，在农场里遇到了许多新的伙伴，他们从互相排挤到最后相互援助,协助,辅助,助力并共同奋斗,拼搏,奋进,进取在比赛中胜过了银矩农场，当然其中还要多亏了玛雅的动物伙伴们。

　　当从曼哈顿搬到高尚住宅区斯戴佛之后，乔安娜（妮可•基德曼 饰）与丈夫（马修•布罗德里克 饰）都准备好了新日常,生存,生计,日子的起始,开端,肇始,启始。乔安娜本想打好与邻居之间的关系，可是一众邻居太太的性格都将近圆满,完满,尽美,尽善，让乔安娜感到她们都无法靠近。这群有钱的太太中只有一名叫芭比的太太例外，她是乔安娜眼中的正常人，她俩也成为了好友。
　　其他太太们每天都忙着关照,照应,关怀,关爱自己的丈夫，对丈夫言听计从。乔安娜与芭比都感到十分好奇，为何邻居太太们似乎没有自己的脾气与喜好。
　　于是她们决心,打算,计划,准备一查究竟，调查结果让她们惊奇,吃惊,诧异,意外不已，有钱的男人竟然把自己的太太变成了机器人，以求他们的妻子都千依百顺。这些一半人类一半机器的太太们背后有着“公开的秘密”，这样的黑手，也逐渐伸向乔安娜与芭比，她们将如何应对呢？

　　婚姻失利,挫折,受挫,败北的理查德（约翰•豪克斯 饰）与艺术家克里斯蒂娜（米兰达•朱莱 饰）被命运牵扯到了一起。尽管理查德因为婚姻的失利,挫折,受挫,败北变得性格怪异，难以相待,交往,来往,共处，另一方面孩子,男孩,少年,男童们的存在成为他奋斗,拼搏,奋进,进取日常,生存,生计,日子的动力。克里斯蒂娜则有自己的艺术梦想，她是个前卫、天马行空的人，她渴望,期望,盼望,企望自己的作品能被众人认同。两人的背景大相径庭，理查德还是被迷人的克里斯蒂娜深深吸引了，可是当他们走在一起后需要共同面临,直面,应对,应付理查德的孩子,男孩,少年,男童们——14岁的彼得与7岁的罗比。这两名孩子都有着自己不为人知的一面，理查德极力明白,明了,知晓,理解自己的孩子,男孩,少年,男童们，成为孩子,男孩,少年,男童的榜样，但总是不得要领。
　　一重重繁复,纷繁,繁杂,杂乱的人际关系，理查德与克里斯蒂娜将如何面临,直面,应对,应付？

　　吉娜(凯丽•拉塞尔 饰)擅长制作各种美味非常的馅饼,她把每天在日常,生存,生计,日子中的经历都化为做馅饼的灵感。但实际上她的日常,生存,生计,日子并不欢乐,愉快,欢喜,欢乐,愉快,欣喜,喜悦,欢畅,喜悦,欣喜，她被一段名存实亡的婚姻困扰多年。
　　她一心想参加馅饼比赛，得到足够多的钱之后离去,分离,离别,离别,分别,分离,别离,分散,远离,分离丈夫厄尔（杰瑞米•西斯托 饰）现自己怀孕了，她知道自己的丈夫是个自私的人，无法养育孩子。她十分迷茫之际，遇到了妇产科医生波马特（内森•菲利安 饰）并且两人疯狂的恋上了，波马特也是个已婚之人。她知道自己的行为是错误的，但她还是不能控制的与波马特见面，受尽良心谴责的她从伙伴,好友,挚友,密友身上得到了很多的启示。
　　就在孩子,女孩,少女,千金出生当天，她决意要与丈夫分开，也要好好处理与波马特的关系。

　　这部电影就是杰昆·菲尼克斯日常,生存,生计,日子中看起来无序混乱一年的素描。它以一个不同寻常的时刻勾起了我们的忆起,追忆,回想,缅怀，即杰昆提名奥斯卡后，在2008年秋天宣布他退休拉开了这部特别的纪录片的序幕。他作为一个成就,胜利,凯旋,成果的电影演员的生涯宣告终结,告终,完结,终止，而他持续,延续,存续,连续以一个说唱歌手的形象诠释,演译,阐释,解释自己的人生，制造充满争 议的话题。这部电影反映了一个处于人生十字路口的艺术家的抉择，以及他探寻自己勇气与创造力的过程，当然，也包括这个过程中，反映到公众眼中的一个个真实的片段。

A company that produces a toxic chemical tries to improve its image via a popular spokesperson, Ricky Coogan. Ricky travels to South America to get a first-hand look at the chemical's effects and finds himself at a mutant freak farm. Elijah, who runs the farm, is only too happy to have new subjects on which to try his freak machine. The very chemical that Ricky is supposed to promote is the one responsible for creating the great variety of freaks.

Fluent in ten languages including two dead ones, Julie Walters, considered the brightest mind in the Department, is just months away from obtaining a Ph.D. in Ancient Languages, after which she hopes to get a job at the Museum of Natural History, where she's wanted to work since she was a child. Her path hits a roadblock when she is informed that all funding has been pulled from the Department for student services, including employment and financing, her sole sources of education funding. With no museum jobs to be had which would be her first choice as a replacement, Julie decides to offer private language lessons instead. Her first students, seniors couple Rose and Earl Williams, decide to buy French lessons for their son Dan, who is in a long distance relationship with a Parisienne, Cosette, they solely communicating in their common language of English. Upon first sight, Julie discovers her new student is one of the assistant curators at the museum with who she had earlier had a somewhat awkward discussion regarding she potentially working there. Busy Dan, reluctant to enter into the lessons, is more practical than romantic in his relationships, he dealing with Cosette solely in those areas common to the two of them, namely in English and around museums, she who works at one in Paris, which is how they originally met. In believing one learns better if it applies to them, Julie ends up also coaching Dan in how to be more romantic in how it would apply to Cosette, he eventually discovering that she would like him to exhibit that side of himself to her. As Julie starts to fall for Dan, and it seems he for her, their path forward may hit the further roadblocks of Cosette, and of her goal of working at the museum.—Huggo

　　影片的背景设定在1999年，主要叙述,阐述,陈述,描写了一群少年在二十世纪的最后一年里，用各种匪夷所思的方式度过他们在高中的最后一天。