Francisca, Tobias, Sara, David and Frederic are students at the Swiss University of St. Gallen. Each from different backgrounds, they are studying for a degree that the Financial Times has dubbed the “best program in management worldwide.” They all have the same goal: to excel in a career prominently featuring money and power.
The director closely follows these young adults for seven years, from a headhunter interview to their individual successes and setbacks as consultants or entrepreneurs. He asks them about their dreams and ambitions, goes with them on vacations or out to dinner, visits their parents, spends time with them as they prepare for job interviews, and works overtime with them in a hotel room.
Crystal-clear editing tells five stories of five different people, each with their own uncertainties, euphoric moments, fears and heartbreak. Sadder and wiser, at the end of the film they look back on their initial enthusiasm and reflect on how much of it is left at this point in their lives. Through their uninhibited gaze, the audience gets a glimpse of a world that is familiar to only to a few.
源自：https://festival.idfa.nl/en/film/2ef01ca7-b887-461e-b601-50f0b48fe7ac/the-driven-ones/
A love triangle of jealousy in the Parisian art scene of the 1930s is brought to life in a stylish docufiction about iconic artist and architect Eileen Gray, who built her modernist dream house on the Riviera, only to be upstaged by Le Corbusier.
Eileen Gray had a truly eminent sense of design. The Irish artist and architect created some of the most iconic furniture of the 20th century, so when she focussed her unique artistic vision on developing a house for herself on the Riviera in 1929, the result was a modernist triumph. A house and a work of art in one, overlooking the sun-sparkled infinity of the Mediterranean. The house is named E.1027, a cryptic contraction of the names of Gray and her lover, Romanian architect Jean Badovici. But when the Swiss-French star architect Le Corbusier learns of the house, he becomes obsessed – perhaps because Gray breathes light, air and soul into her building, which is not just a machine to live in. ‘E.1027 – Eileen Gray and the House by the Sea’ reconstructs the dramatic story of Gray and the house that Le Corbusier amazingly managed to convince the world he had built himself. A stunningly beautiful and cinematic docufiction where the inspiration from Gray is present in lines, colours and shapes – but where they serve the narrative of a brilliant female artist who spent a long life in the shadow of her male colleagues.
