一个先天没有知觉，挨揍不疼却冒充高手的小混混（卢正雨 饰），一个人称女张飞的暴力少女（郭采洁 饰），一个醉心于织毛衣的过气大师（范伟 饰），一个只会做黑暗料理的美食大亨（蔡国庆 饰），一个可以用汤操纵情绪的当代孟婆（陈冲 饰），一个身患强迫症的日本武士（仓田保昭 饰），为了一本失传的秘笈，引发了一场绝世高手的爆笑对决。

　　光正实验学校“六一”实验班，是一个终日充斥着自私、鬼马、娇气、难缠、集结了全校超级不良学子,门生,弟子,学员的问题班级。为了整顿这个宛如毒瘤一般的班级，校方请来了有过海外教学背景的热血教师肖子恩来担任“六一”实验班的班主任。不服管教的问题学子,门生,弟子,学员们轮番给新来的班主任肖子恩下马威，企图吓跑这个毫不起眼的新教师,导师,师长,恩师。肖子恩却始终不以为然，一心想要积极拉近与大家的关系，并用自己独特的教育方法激发、引导、打动这群问题学子,门生,弟子,学员，他不按常理的教育方式亦引起了其他教师,导师,师长,恩师和学子,门生,弟子,学员家长的不满，每天都有意想不到的困扰,烦恼,烦忧,烦扰出现，陷入窘境的肖子恩却始终抉择,挑选,取舍,取择相信,坚信,深信,笃信自己的学子,门生,弟子,学员们，并奋斗,拼搏,奋进,进取将他们领向正途，达成学年总成绩第一的目标。

　　一位追寻绘画艺术的单亲爸爸，卖画无人问津，在事业落败后，日常,生存,生计,日子变得一塌糊涂，只有孩子,男孩,少年,男童与他相依为命，给予他最大的信念与支援,扶持,拥护,维护，凭借彼此的奋斗,拼搏,奋进,进取和顽强的意志，共同战胜困难。

　　沙迪（萨莱·巴克里 Saleh Bakri 饰）的妹妹就要成婚,完婚,婚配,嫁娶了，根据村里的传统，沙迪必须和爸爸,父亲大人,爹爹,老父亲（穆罕默德·巴克里 Mohammed Bakri 饰）开着他们的小车，挨家挨户的当面将请柬送给亲戚伙伴,好友,挚友,密友们。这也就意味着，沙迪一路上都要和自己久别重逢的爸爸,父亲大人,爹爹,老父亲捆绑在一起。
　　沙迪对于爸爸,父亲大人,爹爹,老父亲的很多日常,生存,生计,日子习惯都非常的看不惯，觉得他思想顽固而落后，就像家乡里的大部分碌碌无为的人一样。在沙迪很小的时候，妈妈,母亲大人,娘亲,老妈妈无法忍受村里闭塞的环境，抉择,挑选,取舍,取择抛弃了丈夫和孩子们远走他乡，虽然沙迪失去了母爱，但是现在的他完全可以理解妈妈,母亲大人,娘亲,老妈妈当初的抉择,挑选,取舍,取择。随着旅行的行进，沙迪和爸爸,父亲大人,爹爹,老父亲之间的关系越来越紧迫,焦虑,急迫,忧虑起来。

　　At his first show in LA for 10 years, Chappelle charges straight into the fire with bits on Bill Cosby, O.J. Simpson, and his own brushes with controversy.
　　阔别洛杉矶10年后的首秀，查贝尔借用调侃Bill Cosby，O.J Simpson和自己过往的风波，直接了当地将现场推向高潮。

　　《惬意,自在,悠闲,安逸+愉快》虚构了一个荒诞的北方，群氓的家伙们在互相相拥,抱住,搂抱,怀抱中厮杀，在称兄道弟的关系中互相关爱与猜疑，在互相点燃的渴望,期望,盼望,企望中灰飞烟灭！
　　电影里汇聚了忙碌破案的警察，忙碌骗钱的骗子，忙碌抓偷树贼的护林员，忙碌找妈妈的基督徒，忙碌搞团结的假和尚。。。一群忙碌的人诠释,演译,阐释,解释后退的故事。
　　这是一个关于罪的常态化，在追寻中坐以待毙的故事，一个悲伤,难过,哀伤,痛心,悲伤,难过,哀伤,痛心,苦闷,悲伤,忧伤,痛苦,忧伤的喜剧电影。电影里充满着北方的幽默，一波三折的冲突，虎视眈眈的壮美山河。

　　唯唯諾諾、庸庸「魯魯」的無用中年賈克最近諸事不順，老婆突然抱怨自己對他過敏，孩子默不吭聲坐視老爹被掃地出門，职业,事业,工作岗位,职责還被年輕屁孩取代，銀行帳戶慘遭凍結，連用最後現金購買的狗兒都意外與他永別。當寵物床墊與犬訓課程成為他僅剩的資產和歸屬，在訓練師的權威喝斥之下，他竟然半推半就地服從起「坐下」、「趴下」及「起立」等指令，以職業家犬的身分開始了人生與事業的第二春⋯⋯。
　　曾以《孤寂,寂寥,冷寂,寥寂心房客》驚豔坎城影展的作家導演山繆班傑奇再展細膩筆觸，改編自己的小說，以天馬行空的犀利筆觸狠剖現代社會的變態與疏離。找來《花神咖啡館》裡的堅毅慈母凡妮莎巴哈迪板起面孔，巧扮冷血狠妻，將可憐丈夫推入「狗」坑。衰尾主角的絕望處境在黑色幽默的濾鏡中映現出自我救贖與人性光暈，宛若法國版阿基郭利斯馬基。

　　波莉认为自己是一个严肃的演员，正在等待最适合她的人才的角色。 但是当她的同胞双胞胎艾米在HBO节目中饰演,出演,演出,表演主角时，她的表演梦起始,开端,肇始,启始崩溃，并起始,开端,肇始,启始与合作明星杰瑞德莱托约会。 一次灾难性的洛杉矶之旅对于事情的援助,协助,辅助,助力并不大，但当波莉发现她可以用姐姐的名人为自己的优势获得免费的衣服，免 费的酒和随意的性爱时，这种不堪忍受的情况会变得更好一些。 后果非常可笑 - 而且很尴尬。 Gregory Erdstein首次亮相的一部非常有前途的专辑，That's Not Me是一部聪慧,智慧,睿智,明智而知名的喜剧，由Alice Foulcher赢得双重表演。

　　After the loss of his wife, BILL PONDER (Simmons) and his 17-year-old son WES move out of their small town into the big city in an attempt to have a fresh start. As they each begin to adjust to their new life and seek ways to heal their wounds, they both find comfort in newfound romance. Wes meets LACY, an introverted but fierce girl whose enigmatic personality captivates Wes' attention, and Bill meets CARINE, a compassionate and elegant teacher whose own past heartaches resonate with his. As relationships are tested, Bill and Wes grow apart and back together again while discovering their true selves in the process. Written by Cameron West

　　法国励志小品喜剧，抗癌成就,胜利,凯旋,成果的露西过得并不好，乳癌的经历让她失去尊严，不知道这样活下来的自己还有谁愿意珍惜,爱惜,重视,关切。一位活泼外向的舞蹈教师,导师,师长,恩师说服露西参加他专为乳癌患者开立的舞蹈课程，这个课程的成果发表必须公开呈现,显现,体现,展现,呈现,显现,体现自己的裸体。这个惊奇的挑战，却带领著她逐步走出伤痛，重新坦然面临,直面,应对,应付自己及身旁的人。挑战世俗 对女性之美的标准，让女人用更正面的眼光看待身体，获得自信与美丽的励志小品。

　　故事叙述,阐述,陈述,描写每天到银行确认有没有老人金进帐的3位老人，决心,打算,计划,准备受够这一切，放手一搏、携手抢银行，但他们面临到一个关键问题，他们不太会用枪……

　　Three talented teens enter a local competition to be the next big Girl Band, thwarted at every turn, by bad luck, bad timing, bad neighbors and bad boyfriends, but aided by a crazy uncle and a moody sister, they must seek their bands missing key to become the success they deserve!

　　这是一个外星人和地球人混居的时代，在外星移民的压迫和统治下，流传百年的武士道精神已然没落，然而，在一片倾颓之势面前，依然有一群人默默的遵守着他们的准则和正义。家道中落的青年志村新八（菅田将晖 饰）在一场意外中结识了万事屋老板坂田银时（小栗旬 饰）和天人少女神乐（桥本环奈 饰），三人成为好友。他们共同的伙伴,好友,挚友,密友桂小太郎（冈田将生 饰）无故失踪，经过调查，一个名叫冈田似藏（新井浩文 饰）的男人和一把名为“红缨”的妖刀浮出水面。
　　冈田似藏是曾经的攘夷志士高杉晋助（堂本刚 饰）的手下，高杉恨透了这个堕落的世界，一直都企图将它破坏殆尽。随着红缨的力量越来越强大，整个大江户被笼罩在越来越浓重的阴云之下。

　　一对印度的中产阶级夫妇:服装店老板拉吉（伊尔凡·可汗 Irrfan Khan 饰）与太太米塔（萨巴·卡玛尔 Saba Qamar 饰）为了让孩子,女孩,少女,千金皮娅（蒂希塔·塞加尔 Dishita Sehgal 饰）接受更好的教育想尽了各种办法。而当他们费劲心思终于要将孩子,女孩,少女,千金送进名校时,事情却又出现,产生,形成,酿成了意想不到的变化……

　　Determined to gatecrash her ex-lover's funeral on glamorous French hideaway Ile-de-Re, former Hollywood siren Helen (Joan Collins) escapes her London retirement home with the help of Priscilla (Pauline Collins), a repressed English housewife stuck in a bad marriage. Pooling their limited resources, they hit the road together by coach, ferry, car and foot in a race to get to the funeral on time, becoming entangled in a love triangle with a reclusive French millionaire (Franco Nero) along the way. On this unforgettable journey, they find true friendship in one another - and have the time of their lives.

　　《齐木楠雄的灾难》是根据麻生周一原作漫画改编的真人电影，由福田雄一执导并编剧。由山崎贤人领衔,主役,担纲,主角、桥本环奈、新井浩文和吉泽亮等共同出演，于2017年10月21日在日本上映。电影《齐木楠雄的灾难》改编自麻生周一的漫画，导演福田雄一，叙述,阐述,陈述,描写生来就有超能力的主人公高中生齐木楠雄，每天都面临着各种灾难的日常，是一部校园喜剧 。

　　四个妈妈——她们唯一的共同点就是孩子的学前班——安排一个“有趣的妈妈晚餐”来喝酒、闲聊和联系，而不用担心他们的孩子和丈夫。
　　晚宴上的客人包括刚离婚的杰米（莫莉香农）、“超级妈妈”梅拉妮（布里奇特埃弗里特）、压力过大的艾米丽（凯蒂阿斯顿饰）和艾米丽最好的伙伴,好友,挚友,密友、社交上的凯特 （托尼科利特），她不敢相信,坚信,深信,笃信她让艾米丽让她和妈妈共进晚餐。
　　这个夜晚起始,开端,肇始,启始是一场灾难，但是酒精、卡拉ok和一个可爱的酒保（阿黛姆·莱文）的结合，导致了一个难忘的夜晚，她们都很放松的传达,表示,显露,透露自己的情绪，把日常,生存,生计,日子里不为人知的一面展露到大家面前，后来大家达成一种共识，这些看似不同的女人意识到她们与周围的社区邻居以及男人们有更多的共同之处。

　　A comedy about two estranged sisters brought back into each other's lives by the impending death of their grandmother.

　　When Pete and Omar lose their beloved Gran they go in search of Omar's estranged father, confronting him on the day of his daughters engagement party.

　　An aspiring playwright in New York strikes up a friendship with a guy while on the rebound from a break-up.

　　說話向來臉不紅氣不喘的喜劇演員琳恩·科普利茲，從女人的角度暢談發神經、沒小孩的好處，以及全天下所有男人都想要的三樣東西

　　Def Comedy Jam 25 celebrates the impact and legacy of the groundbreaking HBO comedy series Def Comedy Jam, which debut 25-years ago running from 1992 to 1997. Def Comedy Jam 25 celebrates the impact and legacy of the long-running comedy series with surprise guests, tributes, and performances of unbelievably funny and raw moments.

　　Aglaé Lanctot, 25-years-old, is as insecure as can be. As a result of being 'brought up' by an irresponsible mother and by an absent father, she can now find her balance only in a methodical life and a regular, well-defined job. For instance in being the most perfectionist vehicle crash test worker ever. So imagine her dismay when she learns that her factory is going to be relocated - in India. Losing such a structuring job is simply inconceivable. So much so that when Aglaé is offered to hold the same position but thousands of miles away from home, with pay cut and without the least social benefits, she - accepts. A few days later, Aglaé hits the road in an old Citroën Visa, accompanied by her two friends and co-workers Liette and Marcelle who, for reasons of their own, have decided to follow her example.

　　Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed.
　　Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
　　The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
　　The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
　　Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
　　Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
　　The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
　　“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career