After their father's death, estranged sisters stumble upon his hidden fortune, forcing them to decide whether to keep the money or do the right thing.

　　1876年，一对母女独自在一个偏远的牧场上，与一群残忍的亡命之徒为生存而战。

　　[然后我们跳了舞]导演列万·阿金新作[航程]将于2021年9月开拍，拍摄地点包括伊斯坦布尔与格鲁吉亚。影片被描述为“一个关于爱与渴望有一个归属地的故事。影片关于被抉择,挑选,取舍,取择的家庭，这样家庭是由那些在生物学家庭中没有位置的人组建的。”列万目前在撰写剧本，并将对土耳其进行深入研究。瑞典电影学院将扶持该项目的开发。
　　列万表示，“在我为[然后我们跳了舞]做研究的时候，我听到了许多的打动我的故事，当我更深入地挖掘时，我发现有些主题给予我共鸣，其中一个故事让我绝对不能错过，这也让我开启了从第比利斯到伊斯坦布尔的旅程。小时候，我曾经在夏天从瑞典途径土耳其前往格鲁吉亚，去看望我的祖父母。所以这个故事是相当私人化的，在开发阶段我遇到了很多有趣的人，都将成为我故事一部分。”

　　为了为孩子,女孩,少女,千金的癌症治疗筹集资金，一名退休的公牛骑手与他疏远的孩子,男孩,少年,男童联手，在时间耗尽前抢劫以确保付款。但在抢劫案出错后，要想保住这笔钱——以及他们的自由——需要两人智胜当地两名顽强的执法人员，其中包括一名有正义意识的警长，她很快猜疑,疑惑,质疑,存疑，她的案件的关键可能就在离家不远的地方。

　　A well-known Neapolitan writer returns to their hometown after a long absence and encounters an old friend known as Caracas. Caracas, once a neo-fascist skinhead, is now converting to Islam.

　　Follows a pair of siblings who love but distrust each other as they embark on a white-water rafting trip with a small group. One of their friends from childhood turns out to be more dangerous than he appears.

　　潘奕是一名艺术学院表演系的学子,门生,弟子,学员，因为外形靓丽专业出色，考入艺校的时候，教师,导师,师长,恩师说她是大女主的料，但是谁想到潘奕在大二的时候患上了银屑病，疾病让潘奕休学一年，等她再回到学校的时候，一切都变了，疾病导致手臂上残留的疤痕给潘奕的事业判了死刑。而这场疾病不仅转变,变化,蜕变,变迁了潘奕的身体，还转变,变化,蜕变,变迁了她的性格。 曾经外向开朗的潘奕，变得内向自卑，因为害怕被人发现自己是银屑病患者，她拒人于千里之不想跟任何人建立亲密关系。学校里，没有人知道潘奕得的具体是什么病，潘奕也不会说。慢慢的，好友同学逐渐远离，潘奕陷入了自己内心的黑洞。

　　两个最好的女孩伙伴,好友,挚友,密友和一个年轻人踏上了自我发现的旅程。一路上，随着他们探索自己的性欲，他们的联系不断加深。

　　一名就职于美容店的女孩崔夕（岳辛 饰）想要摆脱自己陷入泥潭的日常,生存,生计,日子，可换来的却是死亡。爱慕崔夕的保安梁晨（宁桓宇 饰）无意中发现崔夕的死似乎与十年前杀害他好兄弟刘杰（袁川航 饰）后潜逃的凶手有关，随着梁晨深入地调查，真相逐渐浮出水面......

　　某市出现,产生,形成,酿成一起投毒案，苦于没有证据无法破案。女警穆清凭借高超的测谎微反应技术，对案件相关人进行测谎，层层剥茧，逐渐深入，最终与刑警高翔等人揭开真相，将凶手绳之于法。

　　叙述,阐述,陈述,描写美国西部在南北战争15年间的多方面扩张及聚居，这段史诗般的旅程充满了危险和阴谋。

　　Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities

　　一位悲痛欲绝的女士被她的伙伴,好友,挚友,密友们带到一个偏僻的小木屋度假放松心情，这群伙伴,好友,挚友,密友担心着她随时会终结,告终,完结,终止自己的生命。

　　该片以一把小提琴为贯穿道具

　　灵感来自于一个令人难以置信的真实故事：一位美发师单枪匹马地召集整个社区来援助,协助,辅助,助力一位丧偶的爸爸,父亲大人,爹爹,老父亲拯救他病危小孩子,女孩,少女,千金的生命。

　　The married owners of a struggling functional fitness gym recruit the best athletes to compete in the Games for the huge cash prize. But a figure from the past with a secret threatens to destroy their team, their gym, and their lives.

　　ACP Satyabhama 直面自己不堪回首的过去，投入高风险的调查以搜寻,寻觅,查找,探寻一名失踪男子。当她揭开笼罩在阴影中的各种城镇的黑暗秘密时，救赎悬而未决。她会战胜过去还是被过去的阴影吞噬？

　　Vidhan (Writ), a romantic drama, is a take on relationships. A casual conversation on the use of appropriate language sets off a whirlwind romance between Pranay and Akshar (Abhishek). They start meeting regularly and the romance blossoms. However, there is one issue - Akshar is a sex worker. The film takes us through the vicissitudes of their romantic journey.

　　感情受挫的陈亚楠一人来到偏僻孤岛被困，在岛上求生中救下一只被困的马犬（小八）。岛上陈亚楠多次遇到危险，都得到小八的相救。一次，小八为了救助陈亚楠被野人绑走，陈亚楠也奋不顾身去拯救小八，陈亚楠绝境时……

　　《人龙传说之九龙壁》是由郑鹏飞编剧、制作，梁自立执导的电影。本影片是根据《左传·昭公二十九年》对于豢龙氏的记载而创作的《人龙传说》系列第一部，叙述,阐述,陈述,描写了自古与龙同生共死，并肩作战的豢龙氏，到了董文广这一代却突然与龙反目成仇，将九位龙王尽数封印为九龙壁。其子董一铭不顾董文广阻拦，私下调查龙珠去向，却发现众人不过是一盘大棋局上的棋子而已，真相的背后还不是最终的真相。董一铭为了公平与正义不惜做出自我牺牲，来维护万物众生同根同源的理念。本影片最终的导向是渴望,期望,盼望,企望所有看过此作品的人能够通过故事引发深思，相识,明白,明了,知晓,理解,认知,懂得天地，相识,明白,明了,知晓,理解,认知,懂得众生，相识,明白,明了,知晓,理解,认知,懂得自我，得到一些新的启发，传承并弘扬我国的传统文化，树立正确而积极向上的人生观、价值观。中国龙自古不同于西方恶龙的概念，中国龙代表的是尊贵、自由圆满,完满,尽美,尽善、祥和、欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦，更代表了中华民族的自信与强大，象征着崛起的国家与民族。

　　Synopsis
　　In the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?
　　Director’s statement
　　What lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.

　　Meena stubbornly refuses to speak. She loves a man from a lower caste. Her family thinks she is possessed and the spell is cast out of her. The day begins, a road movie starts, as religious fervour and insane misogyny are narrated in passing.