As inspector Juve seems to be unable to put Fantômas behind bars the Press comes up with the idea Juve must be Fantômas himself! Juve is soon jailed as an attempt to ease the stress on his case. But Fantômas is free and having his old archrival convicted is certainly an evil dream he wants to come true. Written by viktor-18 <viktor_p@mail.com>

　　宇宙中T星球上，一长者正在教诲一位年轻的姑娘，说她已染上了一种叫“爱情”的病毒，必须到地球上去体验人类的爱情，明白了它的虚幻，心灵才能恢复安静,宁静,沉静,恬静。并说她在地球上的名字叫冰儿，她见到的第一个男人就是她的爱人。 地球上，剧场里正在举行著名红歌星艾咪的独唱音乐会，她的崇拜者秦亮正等在门外渴望见上她一面。一道光柱射在艾咪的海报上，艾咪走下来，原来是T星球上的冰儿来到了地球。 冰儿随秦亮到家，告诉他自己的由来，并说爱他，渴望,期望,盼望,企望与他做夫妻。秦亮把她的话当作疯话，可冰儿坚决不离去,分离,离别,离别,分别,分离,别离,分散,远离,分离他，援助,协助,辅助,助力他整理房间，并上街卖花挣钱资助他写歌，甚至听不进长者的警告，将关系自己生命的魔戒戴在秦亮手上……

　　This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.

　　改编自美国体操运动员Ariana Berlin的真实故事。在距离奥运梦想越来越近的时候，14岁的Ariana的日常,生存,生计,日子因一场车祸急转直下，为了复健及重拾信心，她起始,开端,肇始,启始求学,进修,研习,学业跳Hip Hop，并在来自加大洛杉矶分校的知名教练Valorie Kondos Field的援助,协助,辅助,助力下，重回体坛斩获多个奖项的冠军。

　　和妈妈两个人日常,生存,生计,日子的玉熙有一天放学归家,返家,还家,归宅后发现爸爸的伙伴,好友,挚友,密友画廊叔叔住进了自己家的跨院，要在自己家里寄宿。叔叔和玉熙的关系发展的很快，甚至一起去家后面的山上爬山玩。直到有一天玉熙从幼儿园里带归来,返回,回归,还来一束花给了妈妈，谎称是画廊叔叔让她转交的，从此以后妈妈和画廊叔叔起始,开端,肇始,启始互相牵挂、互有好感，可是惧于严厉奶奶的目光，两人的关系被无情的斩断了。有一天画廊叔叔给了玉熙一个美丽,优美,秀丽,姣好的娃娃然后收拾起行囊远走他乡了。

　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

　　对音乐充满天赋与激情的钢琴神童肖邦日常,生存,生计,日子在纷乱的战争时期，祖国波兰正在被沙俄侵涉，他的音乐教师,导师,师长,恩师遂不懈动员他前往巴黎发展。长大成人的肖邦（柯纳·王尔德 Cornel Wilde 饰）愈发散发着爱国主义精神，不仅秘密参加革命会议，还当众拒绝为沙皇演奏钢琴，为此让自己与亲朋陷入危险，不得不连夜逃往巴黎。在光华陆离的艺术国度，肖邦邂逅了女强人作家乔治·桑（梅尔·奥勃朗 Merle Oberon 饰）并被其深深吸引，然而乔治·桑对他的爱却更多的是一种占有，她让肖邦断绝与旧日联系，专心在屋里终日作曲，只准到贵族沙龙演奏，不准举办公开售票的演奏会。就在与世隔绝的爱情和音乐空间里，肖邦的肺炎日渐恶化，而与此同时，远在波兰的亲朋却在最近一次抵抗运动中全部被捕，急需赎金。而虚弱的肖邦，唯一的筹钱方式只有赌上性命举办演奏会，一面是情人的极力反对，一面是故乡人民的安危，面前是自己不治的身体与黑白的琴键，年轻的肖邦将如何抉择……
　　本片曾获最佳男主角、最佳摄影、最佳电影剪辑、最佳音乐和最佳原创剧本等多项提名。

　　莫斯科街头，花季少女莉莉亚（奥莎娜·阿金什那 Oksana Akinshina饰）正向伙伴,好友,挚友,密友吹嘘即将随妈妈,母亲大人,娘亲,老妈妈移居美国。可到家之后，妈妈,母亲大人,娘亲,老妈妈告诉她要停留,驻留,滞留,逗留来跟姑妈日常,生存,生计,日子。而姑妈则趁机霸占她的房子，把她赶到一幢肮脏破旧的公寓去住。莉莉亚那童话般的幻想瞬间崩塌，此时她终于相信,坚信,深信,笃信被妈妈,母亲大人,娘亲,老妈妈遗弃了。孤寂,寂寥,冷寂,寥寂,孤寂,寂寥,孤单无助的莉莉亚只能从她唯一的伙伴,好友,挚友,密友男孩沃洛佳（波古查史基 Artyom Bogucharsky饰）那里得到一丝安慰。为了活下去，莉莉亚也被迫走上了靠出卖肉体为生的道路。当善意,良善,仁慈,慈善天真的莉莉亚以为遇到真爱的时候，便不顾一切的去了瑞典。可她又怎会知道，这地狱般的日常,生存,生计,日子其实才刚刚起始,开端,肇始,启始……
　　童星奥莎娜·阿金什那凭借这个角色获得2002年欧洲电影奖最佳女演员的提名。

　　A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.

　　本尼是一个娇弱的女孩，有着不受约束的精力。她是个“系统破坏者”。这个术语用来描述那些违反每一条规则的儿童；那些拒绝接受任何形式的结构的儿童，以及那些逐渐从德国儿童和福利服务的裂缝中跌落的儿童。不管这个9岁的孩子被带到哪里，她都会在短时间内再次被解雇。这正是她所追寻,寻求,探寻,寻觅的，因为她所想要的就是能够再次和她妈妈,母亲大人,娘亲,老妈妈日常,生存,生计,日子在一起，一个完全无法应付孩子,女孩,少女,千金不可估量的行为的女人。

　　法医保罗自以为是的正义让他孩子,女孩,少女,千金惨遭绑架，他唯一的渴望,期望,盼望,企望是困在无人岛上的漫画家琳达，她必须尽速代他执行一连串解剖且找到隐藏线索，才得以拯救保罗的孩子,女孩,少女,千金并揪出凶手。

　　伊莎贝尔（玛丽恩·瓦斯 Marine Vacth 饰）是一名17岁的妙龄女孩，拥有着靓丽容貌和美满,美好,完美,美善肉体的她对“性”有着一番独特的见解。一次偶然中，伊莎贝尔遇见了一位游客，就这样，她寥寥草草地献出了自己的处女之身，之后，伊莎贝尔在探索“性”的道路上一路走远。
　　在网络上出售自己的性感照片、利用肉体换取金钱，在做着这些勾当的同时，伊莎贝尔依旧是同学和亲人,亲属,眷属,家属眼中的纯洁少女。一位老年嫖客的出现逐渐转变,变化,蜕变,变迁了伊莎贝尔，她不禁想要在年长的他的身上搜寻,寻觅,查找,探寻亲情的依赖，不幸的是，在一次交易中，老年嫖客突发心脏病死亡，警察很快就找到了伊莎贝尔家，她所作的一切都在此时被公之于众。

　　该片是一部中西部哥特风电影，安东尼奥·坎帕斯(《克里斯汀》)执导，叙述,阐述,陈述,描写俄亥俄州偏远之地Knockemstiff，男主角Willard Russell绝望地想拯救濒死的妻子，不惜屈服于牺牲，而他的孩子,男孩,少年,男童(霍兰德)正从一个在学校被虐待的孩子老成,稳重,老练,练达,长大,发展,进步为知道何时出手的男人，角色包括一对连环杀手夫妇、一个考验人的信仰的传教士、一个腐败的当地警长(斯坦)。时间从二战末期到1960年代，地点从南俄亥俄州乡村到西维吉尼亚。

　　摄影师杰弗里斯（詹姆斯·斯图尔特 饰）因站在赛车道中间拍摄，断了左腿，只得在家静养七周。除了保险公司的护士斯特拉（西尔玛·里特 饰）和女友丽莎·卡罗尔·弗里蒙特（格雷斯·凯利 饰）每日前来照料，百无聊赖的杰弗里斯只能在窗前闲看邻居们的日常日常,生存,生计,日子以打发时间。对面公寓的二楼住着人造珠宝推销员拉尔斯·托瓦尔德（雷蒙德·伯尔 饰）及妻子安娜（艾琳·温斯顿 饰），夫妻之间争吵不断。一个雨夜，杰弗里斯看到拉尔斯提着箱子外出数次。次日，杰弗里斯又看到拉尔斯用报纸包裹一把锯和一把刀。杰弗里斯起了疑心，他猜疑,疑惑,质疑,存疑拉尔斯杀害了安娜并分尸抛弃。然而，杰弗里斯并未目击案发过程，也未见到尸体。那么真相究竟如何呢？杰弗里斯的推测只是他的臆想吗？为了证实他的推测，杰弗里斯要如何搜寻,寻觅,查找,探寻证据呢？

　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

　　首部IMAX海下立体电影，为拍摄此片，水下摄影师携带重达近4吨的专用装备，下潜到了南澳大利亚和巴布亚新几内亚以及印度洋海域，历时110天、潜水350小时，首次成就,胜利,凯旋,成果采用IMAX 3D 摄影机在水下进行冒险拍摄。3D的视觉效果让观众与地球上最独特、最危险、最色彩斑斓的生物零距离接触，体验一次难得的深海旅行。

　　在他17岁生日那天，迈克尔收到了他最好的伙伴,好友,挚友,密友托尼的一份Ouija董事会礼物。在一次会议上，托尼使用一种被他称为“维吉尔”的媒体，无意中解开了董事会的险恶,凶恶,歹毒,恶毒力量。很快就出现了一波暴力杀人事件，首席嫌疑人似乎是迈克尔。他通过预感和身体体验来见证所有的杀戮。迈克尔是杀手吗?他能证明他是无辜的吗，还是被恶魔附身的人?

　　瓦茨太太再也不愿和脾气不好的儿媳杰西、孩子,男孩,少年,男童路迪日常,生存,生计,日子在一起了，一天，她悄悄离去,分离,离别,离别,分别,分离,别离,分散,远离,分离家，踏上她朝思暮想的故乡“邦蒂富尔”之途，但邦蒂富尔早已名存实亡了，无论火车还是汽车站，行车表上都没有这一站，一位好心的镇长开车送她到了邦蒂富尔，眼前的邦蒂富尔：居民全部走光，房屋早已变成了废墟，久已荒芜的棉田里长满了杂草和野花。瓦茨太太在她家门前留连忘返……
　　杰拉尔丁·佩奇饰演,出演,演出,表演的卡里·瓦茨，创造了一个丰满动人的形象，它不仅仅展现,呈现,显现,体现一个女人，更展现,呈现,显现,体现出了她的一生。她富裕,富足,殷实,丰裕魅力的表演与整部影片融为一体，使她的第八次奥斯卡奖提名终于修成正果，获第58届奥斯卡最佳女演员奖。

　　邦妮和克莱德是美国历史上最著名的“**男女”，上世纪30年代大萧条时期，克莱德·巴罗和邦妮·帕克组成团伙，他们开着汽车穿越美国，抢劫银行、商店和沿途的加油站，作案期间，他们杀死了至少9名**和其他一些无辜者，邦妮和克莱德最终被击毙。1967年，好莱坞以此题材，拍摄了一部融合了公路片和强盗片类型的电影《雌雄大盗》。
　　影片截图:

　　故事出现,产生,形成,酿成在1980年的澳大利亚，迈克尔（山姆·尼尔 Sam Neill 饰）和妻子林迪（梅丽尔·斯特里普 Meryl Streep 饰）带着他们的三个孩子正在进行一场家庭旅行。某天夜里，夫妻两人将最小的孩子阿扎利亚留在襁褓之中外出访友，哪知道一场意外的出现,产生,形成,酿成夺走了阿扎利亚幼小的生命。
　　让迈克尔和林迪万万没有想到的是，他们除了要承受失去孩子的巨大悲痛之外，竟然还遭到了指控，指控夫妻两人正是幕后的凶手。随后，法庭起始,开端,肇始,启始了对于该案件的漫长的审判，尽管缺乏关键的证据，但林迪还是被判处了终身监禁。在狱中，林迪生下了第四个孩子，孩子被交由迈克尔抚养。漫长的牢狱岁月里，林迪不断的上诉，并最终为自己挣得了清白和自由。

　　《植物的欲望》改编自迈克尔·普兰（Michael Pollan）的同名著作。
　　本片叙述,阐述,陈述,描写了四种日常日常,生存,生计,日子中常见的植物以及它们如何让人类喜欢它们的故事。1983年，迈克尔·普兰与他的妻子离去,分离,离别,离别,分别,分离,别离,分散,远离,分离纽约城，到一个被遗弃的奶牛场定居。普兰幼时一直对园艺十分着迷，再加上他对自己把握自然的能力深信不疑，他起始,开端,肇始,启始开垦自己的花园。那时的他还不知道这一行动最终促使他起始,开端,肇始,启始重新思索,沉思,思量,思虑人与植物的关系，也成就了他的《植物的欲望》这本书成为书架上的畅销货。本片将带领观众走遍全世界，从位于秘鲁和美国爱达荷州的马铃薯菜园到哈萨克的苹果林，从阿姆斯特丹的郁金香市场到美国的医用大麻的培养室，探寻马铃薯、苹果、郁金香以及大麻的自然史，得出结论：人类对它们的渴望使它们的命运与我们息息相关。本片由迈克尔·施瓦茨（Michael Schwarz）执导。

　　幕末的德川幕府，因列强的压迫下，力量衰减，从此一蹶不振。就在此时，由芹泽鸭、近藤勇、土方岁三、山南敬助、冲田总司等人组织了“新选组”共同保卫幕府的政权。浪人山崎烝（市川雷藏饰），因被新选组局长近藤勇（城健三朗饰）的个人魅力所折服。不顾伴侣的强烈反对下，踌躇滿志的向新选组毛遂自荐，要求加入。随之山崎以他超群的剑法，很快的得到近藤和土方等人的信赖，而前局长芹泽鸭在新选组内部革命时遭到了处决，正好被山崎见状，从此对新选组有所顾忌，“池田屋事件”中，山崎为了庇护,维护,呵护,护卫的同伴，不得不举刀来对抗在池田屋的讨幕人士，事件之后他舍弃,抛弃,割舍,摒弃了以前的伴侣，随着新选组扬长而去。