在本系列“致命恐龙”当中，我们将跟随史蒂夫·贝克肖一起，盘点史上最致命的恐龙。在弱肉强食的恐龙世界中，为了生存下去，陆地和森林中不乏霸王龙一类残暴的掠食者、迅猛龙一类精明的团队合作者、甲龙一类危险的防卫者、玛君龙一类卑鄙的同类相残者……而在水中，则有蛇颈龙这样高超的猎食者；在空中，则有翼龙这种能长途跋涉的幸存者……尽管恐龙早已从地球上消失，可是这些亿万年前的生物却呈现,显现,体现,展现,呈现,显现,体现出了无比的智慧和坚韧

　　这部具有里程碑意义的纪录片《jeen-yuhs: A Kanye Trilogy》由克拉伦斯·西蒙斯（“库迪”）和奇克·奥扎以三部曲的形式呈现，对坎耶·维斯特的经历进行了深入而富裕,富足,殷实,丰裕启发性的刻画，展示了他奋斗,拼搏,奋进,进取突破的性格形成时期，和他今天作为全球品牌和艺术家的日常,生存,生计,日子。

　　Welcome to a food extravaganza, a visual poem to Mexico's foodie ingenuity and the quirky and delicious flavors that are worth the stomach aches.

　　该片由监制瑞恩·墨菲和导演安德鲁·罗西共同打造，共六集，以惊人的信息量描述了安迪·沃霍尔的传奇故事，这些在他去世后出版的日记为我们提供了独特窗口，带领我们深入明白,明了,知晓,理解这位艺术家非凡的一生。剧集开篇叙述,阐述,陈述,描写了他在匹兹堡的童年，追溯了沃霍尔令人难以置信的多彩旅程，他以（既受人推崇又遭痛斥的）艺术家、导演、出版商、电视制片人、博眼球者、名人等身份，在不同媒介和不同时代之间自由穿梭。虽然沃霍尔经常暴露在镁光灯下，但他从不对外透露自己的个人日常,生存,生计,日子。该剧使用尖端人工智能技术合成他的声音，通过他自己的语言，带观众相识,明白,明了,知晓,理解,认知,懂得这位极其繁复,纷繁,繁杂,杂乱的人，并介绍了他身边的职业,事业,工作岗位,职责、创作和演出伙伴，这些人陪伴他从颠覆期到主流时期，其中包括约翰·沃特斯和罗伯·劳。《安迪·沃霍尔：时代日记》由墨菲、丹·博朗、乔希·布劳恩、斯戴西·里斯、斯坦利·布赫塔尔共同担任监制，罗西担任导演，该片绝妙地印证了沃霍尔的信念，即想法无需永流传，但要创造能够永生的艺术。

　　【我在市場待了一整天】，不只是美食，更是一個充滿美妙人事地物的節目！從爆炸頭老師探訪過的市場、以及他的五感體驗紀錄，豐富裕,富足,殷实,丰裕趣地爆炸展開。跟隨老師「沈浸感」的腳步，前進這一個個庶民小宇宙。
　　邀請大家從各種不同角度，隨著主持人，一同潛入八個台灣老市場，体验,体会,感悟,感悟在地文化、庶民人情的溫度，探訪體驗市場裡無與倫比的趣味！
　　主持人 李明璁
　　英國劍橋大學國王學院社會人類學博士，曾於臺大社會學系任教，現執教於國立臺北藝術大學。曾參與創辦《cue》電影雜誌、現為《屏東本事》總編輯。擔任過華文朗讀節、雜學校、臺北文學季等大型活動策展人。協助過總統文化獎、四屆金鐘獎評審，以及三屆金鼎獎、兩屆台北國際書展大賞評審。
　　曾製作、編劇、演出舞台劇《敗者的搖滾瞬間》。著有《物裡學》、《邊讀邊走》等書，並統籌企劃麥田『時代感』書系、大塊『SOUND』書系。主編過四本音樂文化專書，其中《時代迴音》獲第40屆金鼎獎優良出版推薦。

　　新奥尔良司法中心的女囚们彼此争执、调情，并通过马桶聊天。这部硬派真人秀剧集淋漓尽致地呈现,显现,体现,展现,呈现,显现,体现了她们的日常,生存,生计,日子。

　　花艺师、雕塑师和园艺设计师两人一组，共十队展开温馨的花艺对决，看谁能够打造最巨型、最大胆的花园雕塑。

　　这是2004年《Long Way Round》和2007年《Long Way Down》的后续，这次麦克格雷格跟伙伴,好友,挚友,密友Charley Boorman骑着哈雷·戴维森电动摩托，穿越中南美洲的13000英里，从美丽的乌斯怀亚启程，经过13个国家。

　　《今天我愿意》的主角是那些一直想要成婚,完婚,婚配,嫁娶的情侣，由于种种原因，他们的大喜之日一直未能到来。室内设计师杰里迈亚·布伦特、时尚设计师阮蔡和主厨盖布里埃尔·贝尔塔奇尼将为这些新人打造梦想中的婚礼。《今天我愿意》深入明白,明了,知晓,理解这些情侣的爱情故事，以及对他们来说成婚,完婚,婚配,嫁娶最重要的意义是什么。三位专家将援助,协助,辅助,助力新郎策划一场个性化的求婚，给他们的“另一半”一个惊喜，然后他们梦想中的婚礼…就在当个周末！

　　The Emmy-nominated series is back with a season full of tricks and treats as we celebrate Halloween. Featuring ghoulish surprises from some favorite Netflix shows - Umbrella Academy, Cobra Kai and The Witcher, the desserts are intentionally scary this time!

　　Phil travels around the world sampling food and tradition with friends and a sense of humor.

　　Heidi Klum and Tim Gunn are back at it in this global fashion competition series, where established designers from around the world compete to be the next great fashion brand. Each week, winning looks will be available to buy on Amazon in the Making the Cut store, and the last designer standing will receive one million dollars to invest in their brand.

　　This show is quite possibly the biggest waste of videotape, electricity, and RF bandwidth in the 70+ year history of television. It's nothing but 60 minutes of some of the worst bile that can come out of human beings, male or female. Basically, it's nothing but pure bitchy, catty, c*nty, vile harpiness among the contestants, judges, and the fashionistas (or should I say fashionazis). Typically a lot of insulting, backbiting, and bitchy, unnecessarily anal-retentive criticism.
　　The thing that gets me about the show is how much the judges and fashionazis (and the pretentious & shallow fashion industry in general) nit-pick against the equally bitchy contestants about little, petty, trivial, frivolous, anal-retentive things about their appearance, personality, etc. Things that the *REAL* people in this world (which the fashion industry lacks, thankfully) wouldn't give rat's ass number 1 about. (Myself included.)
　　Crap like: "Oh, your left eyebrow is a yoctometer off center. That isn't gonna fly, and nobody will take you seriously in this industry because of it!" Or, "You're breathing wrong. Good luck with winning this competition." I'm just kidding here, but they usually end up saying things almost exactly like this on this show.
　　If getting into the fashion industry is this hard, painful, bitchy, insulting, nit-picky, catty, backstabbing, and anal-retentive as this show tries to portray, than thank the good Lord that He made me all fat, balding, hairy, and dumpy-frumpy-dowdy-frowsy-geeky-lookin', because I would never want to be required to have the caustic bitchiness and anal, pretentious attitude of any model or fashionazi (or any fashion industry worker), namely the people on this show.
　　And Janice Dickinson, mercy, do not get me started on her...
　　This show needs to die. It's this show (and many other "reality" shows like it) that proves that competitiveness (and the fashion industry) is truly the devil's tool...

　　《极速前进》（The Amazing Race），是一个真人秀节目，一群人环游世界进行竞速比赛。CBS从2001年起始,开端,肇始,启始按季播出。比赛从美国起始,开端,肇始,启始，也在美国终结,告终,完结,终止。各队必须按照信息提示周游世界。最先到达终点的队伍将赢得100万美元大奖。

　　Following the success of World’s Busiest Railway 2015, this new three-part series presented by Ade Adepitan, Anita Rani, Ant Anstead and Dan Snow takes viewers to the heart of three iconic public spaces in the city of New York: one of the busiest and most complex metropolises in the world.
　　Filmed as live from Grand Central Terminal, the New Fulton Fish Market and Central Park, the series offers a 360-degree insight into the lives of New Yorkers - how they get about the city, how they are fed, and how they relax.
　　Immersive films will show how transport, commerce, culture, leisure, food and retail play key roles in the life in the city, and the series will take viewers behind the scenes of some of the city’s biggest shops and organisations, as well as deep underground at major engineering projects to tell the story of New York, its people, and its history.

　　Isolated from the rest of the world since the time of the dinosaurs, New Zealand’s magnificent wildlife has been left to its own devices for 80 million years, with surprising consequences.
　　Narrated by actor Sam Neill, this three-part wildlife series transports viewers to an exotic and mysterious island chain, revealing how the country’s rich, intriguing wildlife manages to survive.

　　凡尔赛宫，欧洲最雄伟壮丽的宫殿之一。本片叙述,阐述,陈述,描写凡尔赛宫的荣辱沉浮。

　　肥胖已成为地球上最大的健康危机。《胖自何方？》针对传统健康谘询的重复考察科学，以及我们面临的健康隐患所出现的新证据进行深入研究。由擅长预防超重与肥胖的专业厨师Simon Gault 与世界各地的专家进行访谈，他将自己当作人类试验品，试图改善其健康。

　　This documentary special takes us on a journey through the “day that will live in infamy,” by exploring the biggest stories and lesser known details that still surprise us 75 years later. Accounts from experts, military minds, and even those who lived through it, will show how this tragedy continues to shape our country today.

　　作为美国主流频道的王牌节目，该系列在海外一直有着很高的收视率，极限冒险家黑森•奥戴尔也带领观众造访过世界各地的原民部落。《黑森中国历险记》是在中国制作的特辑节目，黑森将走进三个少数民族地区，求学,进修,研习,学业当地特有的技能，完成一次惊心动魄地探险进阶课。
　　在第一集《大江奔流》中，黑森前往位于滇西北的独龙江峡谷，与独龙族男人们一起翻山越岭采集草药。他们捕竹鼠、挖竹笋裹腹，自制弩弓防身，跟熊猪大战擦肩而过，冒着生命危险在深林中生火扎寨。在“云南最后的秘境”里，黑森还会遇到哪些来自自然的考验？
　　第二集《火枪部落》，黑森来到了位于贵州省的岜沙苗寨，当地男人至今保留着佩戴火枪的传统。黑森必须通过一系列的生存考验，才能得到那杆特有的火枪。“通过仪式”不仅包括与剧毒的中华眼镜蛇近在咫尺地搏斗，徒手制作火药，还要独自横穿高空瀑布去为部落搜寻,寻觅,查找,探寻食物，一次又一次的生存危机之后，黑森最终能否成为一名合格的岜沙男人呢？
　　第三集《驯鹿森林》，黑森一路北上，在寂静的大兴安岭山间，找到了日常,生存,生计,日子于此的鄂温克人。鄂温克人世代以饲养驯鹿为生，他们教会黑森如何精心饲养驯鹿。然而一次不慎，两只驯鹿走丢，黑森只好独自穿越山林，与野熊为邻，起始,开端,肇始,启始了搜寻,寻觅,查找,探寻驯鹿之旅……

　　在这部令人大开眼界的剧集中，性、欢愉感和现代科学共同开启女性愉悦领域之门，并打破古老的迷思。