一部以十九世纪为背景的古装剧，处境是豪华的歌剧院，主角是一对歌剧作曲及作词排挡。上半部是两人的斗气斗戏，下半段则讲作曲家受日本文化感染而编出经典剧目《THE MIKADO》。影片多幕戏中台上戏，令人叹为观止。

　　索尼经典拿下莎士比亚历史剧情片《都是真的》(All Is True)的全球版权，肯尼斯·布拉纳执导并与朱迪·丹奇、伊恩·麦克莱恩领衔,主役,担纲,主角。该片将于12月21日在纽约和洛杉矶上映一周，确保能参与颁奖季角逐，明年正式上映。
　　设定在1613年，莎士比亚被公认为是最伟大的作家，但在他著名的环球剧场被夷为平地后，被压垮的莎士比亚回到了斯特拉特福德，他必须面临,直面,应对,应付一个困扰,烦恼,烦忧,烦扰的过去和一个被忽视的家庭。他唯一的孩子,男孩,少年,男童哈姆内特去世，他挣扎着修补与妻子和孩子,女孩,少女,千金破碎的关系，被迫审视自己作为丈夫和爸爸,父亲大人,爹爹,老父亲的失利,挫折,受挫,败北，他对真相的个人探索展示,揭露,显示,呈示了家庭内部的秘密和谎言。

　　《雪人》根据挪威作家Jo Nesbo在2007年出版的同名畅销小说改编，这部书是他以奥斯陆侦探哈里（Harry Hole）为主角创作的第七本小说。故事主要叙述,阐述,陈述,描写哈里在调查一位年轻妈妈失踪案件的时候，发现受害人院子里出现了一个神秘的雪人，而且它脖子上还围着这家孩子送给妈妈做圣诞礼物的粉红围巾。由此，哈里挖出了一系列有着相同情况的陈年旧案，一个总爱在落下第一场雪时作案的连环杀人犯浮出了水面……
　　《雪人》将由环球公司和Working Title公司联合摄制，如果影片反响良好的话，Jo Nesbo的另外六部侦探哈里小说也将有机会登上大银幕。

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor

　　本片故事背景设置在19世纪五十年代的英国，Alice Lawson是一档美食节目的主播，也是一位严格自律的妻子。这天晚上，Alice同往常一样终结,告终,完结,终止职业,事业,工作岗位,职责，买好蔬菜准备归家,返家,还家,归宅替亲人,亲属,眷属,家属做晚餐，可是不巧遇到了大雨，内心本就不安宁的她陷入了歇斯底里的惶恐中。她临时转变,变化,蜕变,变迁计划，独自一人在酒店过夜，而此时的她并不知道这一决心,打算,计划,准备将彻底转变,变化,蜕变,变迁她的日常,生存,生计,日子。

　　本片根据Ronald Harwood的同名戏剧改编，Anthony Hopkins饰演,出演,演出,表演一名年迈多病的演员，Ian McKellen饰演,出演,演出,表演对他忠心耿耿的幕后助手兼化妆师Norman。故事出现,产生,形成,酿成在第二次世界大战期间。据称该剧的原型人物就是Ronald Harwood本人——他曾是著名英国演员Donald Wolfit爵士的化妆师。

　　才情旷世、桀骜不驯的苏联芭蕾舞巨星雷里耶夫，是兼具自信、欲望与野心的白鸦，坦然放荡于双性之间。影片将他在西伯利亚铁路呱呱坠地，以至在巴黎 演出期间投奔西方的经历前后交接；在恩师普希金眷顾训练下，成为全球首屈一指芭蕾舞男星。赖夫费恩斯（《狄更斯的隐密情人》，38 届）演而优则导，舞坛新星奥力伊凡高首次担纲，配搭“芭蕾坏男孩”瑟基普鲁尼，借新一代光华， 向不朽芭蕾男神致敬。

　　科洛弗（艾丽·肯德里克 Ellie Kendrick 饰）在很早的时候就离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了家乡自己在外打拼，停留,驻留,滞留,逗留弟弟查理兹和爸爸,父亲大人,爹爹,老父亲奥伯利（大卫·特洛夫顿 David Troughton 饰）在故乡过着相依为命的日常,生存,生计,日子。查理兹的死讯打破了科洛弗安静,宁静,沉静,恬静的日常,生存,生计,日子，为了处理弟弟的后事，她不得不再度回到了阔别已久的家乡，并且见到了感情早已经十分疏远的爸爸,父亲大人,爹爹,老父亲。
　　家乡的一切都已经变得和科洛弗记忆里不一样了，爸爸,父亲大人,爹爹,老父亲也是一样，苍老的他俨然已经像是一个陌生人了。科洛弗此行的另外一个目的，就是调查查理兹自杀的真相，因为她怎么都不愿意相信,坚信,深信,笃信，一向乐观开朗的弟弟会抉择,挑选,取舍,取择终结,告终,完结,终止自己的生命。

　　故事出现,产生,形成,酿成在维多利亚时代的英国，凯瑟琳（佛罗伦斯·珀 Florence Pugh 饰）出生在一个贫寒,贫困,穷困,贫乏的家庭之中，她凭借着美丽的外表被卖给了富裕,富足,殷实,丰裕的农庄庄主亚历山大（保罗·希尔顿 Paul Hilton 饰）为妻，然而，亚历山大是一个冷酷无情的男人，对于凯瑟琳没有半分怜爱。凯瑟琳只落得一个庄园女主人的空名头，日常,生存,生计,日子里处处遭到苛刻的刁难和压制，死气沉沉的庄园对于凯瑟琳来说，就宛如一座毫无温度的监狱一般。
　　某日，一位名叫塞巴斯蒂安（柯斯莫·贾维斯 Cosmo Jarvis 饰）的马夫出现在了凯瑟琳的日常,生存,生计,日子中，塞巴斯蒂安虽然贫寒,贫困,穷困,贫乏粗俗，但他周身散发出的热忱,热诚,热心,热切和魅力令凯瑟琳深深的着迷。塞巴斯蒂安的存在让凯瑟琳重新找回了活力。

　　凯西·贝茨将出演传记题材影片[桂冠诗人](The Laureate，暂译)。该片聚焦20世纪英国著名诗人罗伯特·格雷夫斯的私人日常,生存,生计,日子。威廉·努内兹自编自导，卡司包括汤姆·休斯、迪安娜·阿格隆。休斯饰格雷夫斯，阿格隆饰其情人劳拉·莱丁，贝茨饰格雷夫斯的妈妈,母亲大人,娘亲,老妈妈。影片将于本届柏林电影节预售，4月开机。

　　本尼迪克特·康伯巴奇和克莱尔·芙伊将领衔,主役,担纲,主角新片《路易斯·韦恩》，聚焦英国插图画家路易斯·韦恩，8月10日开拍，福田知盛(《那些花儿》)执导。
　　韦恩以画猫而闻名，曾担任英国猫协主席，他为将近一百多本儿童书籍画过插画，其画经常夸张地模仿人类的行为，嘲讽时代风潮。他晚年可能患有精神分裂症，某些心理学家认为可以从其作品看出端倪，不过也有一些专家对这一说法提出了异议。

　　Bull mysteriously returns home after a 10 year absence to seek revenge on those who double crossed him all those years ago.

　　秋日暖和,温馨,温情,暖意的傍晚，爸爸,父亲大人,爹爹,老父亲带着孩子,女孩,少女,千金一起骑单车，他们穿过林间小路，骑过草地，骑上高坡，来到安静,宁静,沉静,恬静的湖边。
　　爸爸,父亲大人,爹爹,老父亲抱抱孩子,女孩,少女,千金，登上了小船。孩子,女孩,少女,千金在湖边静静的等待，等到船在视线里变模糊，等到太阳就要落山。爸爸,父亲大人,爹爹,老父亲迟迟不归，孩子,女孩,少女,千金一个人骑着小小的脚踏车回去了。从那以后孩子,女孩,少女,千金每天都来湖边等候，她一个人骑着单车来来返返，风雨无阻。多年过去，小女孩为人妇，为人母，转眼老去。
　　已然老去的她日日来到湖边，直到湖水干涸，化为滩涂。她来到沉睡在湖底的小船边，躺在小船里，就像躺在爸爸,父亲大人,爹爹,老父亲暖暖的臂弯。

　　波利娜（西格妮·韦弗 Sigourney Weaver饰）曾经被一个男子施暴，被蒙着眼的她一直不知道罪人是谁，她的性格也变得神经兮兮。她的丈夫杰拉多（斯图尔特·威尔逊 Stuart Wilson饰）当选委员会主席后回到家中，就发现波利娜有着一些比平时更怪异的举动。她甚至把前来拜访的邻居米兰达（本·金斯利 Ben Kingsley饰）的车子推落山崖，凭着米兰达车里的磁带“死亡和处女”，以及米兰达的气味和呼吸，波利娜坚信，米兰达就是当时对她施暴的元凶。
　　她发了疯似的把米兰达绑在房间，要和丈夫一起审判这个罪犯。然而，米兰达分明有着确凿的不在场证据，这令丈夫也难以相信,坚信,深信,笃信波利娜的认定。这一切是波利娜的幻觉，还是确有其事，这场审判会令真相一一浮出水面。

　　The play tells the story of a young couple, Cathy (played by Carol White) and Reg (Ray Brooks). Initially their relationship flourishes and they have a child and move into a modern home. When Reg is injured and loses his well-paid job, they are evicted by bailiffs, and they face a life of poverty and unemployment, illegally squatting in empty houses and staying in shelters. Finally, Cathy has her children taken away by social services.

　　January is forced to return home after six years traveling abroad. A near-fatal accident has left her temporarily wheelchair bound and depleted of her long-term memory. She is accompanied by her boyfriend 'Callum' whom she met whilst traveling. He was also the driver in the fateful accident. Not only has she forgotten her family, but her childhood as well and is surprised to discover that her home is a stately manor in the middle of the country-side. As January tries to settle in, she finds herself becoming even more estranged from her family, who just want their daughter back. The trouble is, she cannot remember who that daughter was, or why she ran away in the first place. Desperate to discover why she left all those years ago and with Callum's help, she sets out to find the truth. They soon discover the family are not as loving as they seem to be. Was there a dark reason why she left them in the first place?

　　在一个精神病院，萨德侯爵排了一出关于让·保罗·马拉弥留之际的戏剧，而演员均是院里的病人。

　　山姆在伊拉克执行期间负伤，回国后不得已接受了一份在监狱任职的职业,事业,工作岗位,职责，也因此接触到黑暗的监狱文化：贿赂守卫和毒品交易。职业,事业,工作岗位,职责中的暴力和绝望，加上在伊拉克打仗的血腥忆起,追忆,回想,缅怀让他坠入了酒精和毒品的深渊，亲人,亲属,眷属,家属也逐渐远离他。在一次监狱内部和死刑对抗中，他意识到拿着纳税人的钱看守犯人的守卫们可能像犯人一样堕落腐化。于是他被卷入到一场危险的猫鼠游戏中，一个大规模的监狱暴动迫在眉睫。

　　The movie is a throwback to a time when ordinary people enjoyed simple pleasures like going to their club, or taking in the pictures and growing their chrysanthemums in the adjoining greenhouse garden...so very British.
　　It is these very ordinary people that some artists have a great sympathy and admiration for in our often self-serving world. Nothing extraordinary about the movie or the couple but almost 60 years on, the acting still makes it a delight to watch.

　　《谍海群英会》是一部电影，影片以第二次世界大战为背景，叙述,阐述,陈述,描写了一个孤胆英雄英国间谍奎勒只身和德国纳粹残余斗争的勇闯虎穴、智斗群魔式的故事，主人公具有007的个人英雄主义，情节惊险、悬疑、趣味十足，是间谍片里的经典之作。曾荣获英国电影学院奖最佳影片、最佳编剧、最佳男主角、最佳摄影、最佳服装等多项提名。

　　都柏林市好客的三姐妹，每年都在家举办新年宴会，亲朋好友籍此机相聚畅谈，均感快慰。宴会散席之后女主角在楼梯间听到男高音清唱的一首爱尔兰古老的情歌，忆及年轻时她的情人爱唱的同一首歌。在回到旅馆之后，坦然向丈夫道出情人为她殉情而死的往事，令丈夫惊觉到：原来他对太太的明白,明了,知晓,理解是那么少！而人的心灵又是如此幽黯深远！