After the disappearance of his troubled friend, Chris Rivers investigates a dark apocalyptic cult.

　　After winning a English stately house in a game of poker, a record producer finds it to be haunted by a demonic jester intent on murdering his family.

　　Former secret agent Robert Elliot (Coburn) will be promoted to government advisor. In order to make sure no-one will ever know about his dirty past, he has invented a very ingenious plan to get rid of his four helpers: he gets them all to unknowingly kill each other in the course of a single night.

　　Feature length adaptation of the cult British zom-com web series following the adventures of three inept survivors of a zombie apocalypse through a video blog they maintain to ease the boredom of day to day survival.

　　Aspiring actress, Kia Anderson, is about to learn that the final callback for a horror Feature Film is something more than she could ever of imagined - Something sinister is awaiting for Kia.

　　A medical student suffering from sleep paralysis finds herself plagued by a demonic entity, after moving in with her boyfriend.

　　从布鲁塞尔来到伦敦的卡萝尔（凯瑟琳·德纳芙 Catherine Deneuve 饰）是当地一家美容沙龙的员工。在这个光怪陆离的大都会，青春美丽的卡萝尔竭力压抑自己心中躁动的欲望，由此她展现,呈现,显现,体现出些许的焦虑和神经质。虽然有年轻帅气的小伙子柯林（John Fraser 饰）锲而不舍地追寻,寻求,探寻,寻觅，但卡萝尔更愿意和姐姐海伦（Yvonne Furneaux 饰）厮守在一起。相较于容易紧迫,焦虑,急迫,忧虑的妹妹，海伦似乎颇为适应这个社会，她与一名有妇之夫相恋，两人相约利用假期去意大利旅行。然而，海伦的离去,分离,离别,离别,分别,分离,别离,分散,远离,分离却让卡萝尔的精神接近崩溃边缘，无可挽回的悲剧由此上演……
　　本片荣获1965年柏林国际电影节银熊奖评委会特别奖和国际影评人费比西奖。

　　建筑师John Baxter（唐纳德·萨瑟兰 Donald Sutherland 饰）与其妻子Laura（朱莉·克里斯蒂 Julie Christie 饰）育有一男一女。有一天，孩子,女孩,少女,千金莫名其妙地溺水身亡。Laura沉浸在悲痛中。John因为职业,事业,工作岗位,职责原因，带着Laura来到威尼斯，进行一个教堂的修缮职业,事业,工作岗位,职责。在那里，Laura相识,明白,明了,知晓,理解,认知,懂得了两个老妇人，里面有一个盲人，据说能通灵，能看见Baxter夫妇的孩子,女孩,少女,千金。Laura晕了过去，醒来之后却摆脱了孩子,女孩,少女,千金死亡的阴影。通灵的老妇人告诉Laura，如果John持续,延续,存续,连续留在威尼斯的话，会有危险。Laura劝John赶紧离去,分离,离别,离别,分别,分离,别离,分散,远离,分离，John却不相信,坚信,深信,笃信所谓通灵，持续,延续,存续,连续留在威尼斯进行职业,事业,工作岗位,职责。果不其然，John在职业,事业,工作岗位,职责中出现,产生,形成,酿成了意外，而他们在英国读书的孩子,男孩,少年,男童病倒了。Laura急忙搭飞机回国，而John却在威尼斯发现Laura跟那两个老妇人在一起。出现,产生,形成,酿成在威尼斯的这个故事变得越来越扑朔迷离......本片在Time Out 2011“史上最佳100部英国电影”中排名第一。

　　《深红祭坛的诅咒》是1968年由弗农·苏厄尔执导的一部英国恐怖片，领衔,主役,担纲,主角克里斯托弗·李、鲍里斯·卡洛夫、芭芭拉·斯蒂尔和马克·伊登。这部电影是由路易斯·M·海沃德为蒂贡英国电影制片厂制作的。这部电影是作为美国的深红崇拜而编辑发行的。这部剧本是由《Who博士》的编剧默文·海斯曼和亨利·林肯根据H.P.Lovecraft的短篇小说《女巫之家的梦》改编的（未经认可）。这部电影还展示了恐怖重量级人物卡洛夫的最后一次亮相。 古董商罗伯特曼宁（伊甸园）搜寻,寻觅,查找,探寻他的兄弟，谁是最后一次访问了克雷斯泰德洛奇在格雷马尔斯，他们家族的祖籍小镇偏远的房子。到了晚上，他发现一个聚会正在进行中，于是他被邀请住在屋主的侄女夏娃（Wetherell）身边。他的睡眠是不安的，奇怪的祭祀梦打扰了他。房主莫利（李）打听他哥哥的情况，向他保证那个人不在那里。曼宁的猜疑,疑惑,质疑,存疑是由噩梦般的幻觉引起的。神秘专家马什教授（卡洛夫）告诉曼宁莫利的祖先拉维尼亚（斯蒂尔）领导的巫术崇拜。人们发现这个邪教仍然活跃。克拉克斯特小屋被烧成灰烬，邪教的头颅被火焰吞噬。

　　在康沃尔郡的一个村庄里，许多当地人死于神秘的蛇咬伤，但验尸官将死亡定为心脏病发作，直到一个新来的家庭起始,开端,肇始,启始调查。

　　A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. As skeptical customers are shown the greed and violence they're hiding, one of them snaps and kills Diablo. When they run off, we see the murder to be staged as part of the show. One of the customers has hung around to see this, and wants to make a deal with Diablo, aka the Devil.
　　A very good anthology of tales, written by Robert Bloch and directed by Freddie FRancis, for Amicus, an icon of this kind of movie. The tales are uneven, sure, but they are all at least good, till the perfect final one, the Man who collected Poe, with Jack Palance and Peter Cushing, a great idea, and a marvelous tale to watch. Very good Burgess Meredith as Diabolo the Great, the host for these tales. Unfortunately for us all, this kind of movies are a thing from the past and today we don't get any more gems like this. A must see

　　恐怖电影“来自坟墓下面” 由4个故事组成，当顾客从一家古董店买古董时，他们得到的不单是古董。一个人买了一面镜子，他被鬼魂骚扰，迫使他自杀，这样它就可以重生。一位疲倦的丈夫买了一枚旧的战争奖章，因此遇上一名神秘的前度军人和他孩子,女孩,少女,千金，她们援助,协助,辅助,助力他杀死妻子。一个人在火车上遇见个陌生人，他告诉他的肩膀上有鬼魂…他征募一个妇女来驱魔。最后一个人买了一扇很大的古老门，它让他回到查尔斯一世的时代。

　　两名年轻女子为了在网络上一举成名，假扮成高端时尚广告的餐饮服务员。广告团队并不知道这两个女人的计划是拍摄自己偷窃昂贵商品的过程，然后把它们送给需要的人，并发布到自己的Youtube频道上。然而，当她们到达拍摄地点时，那里却空无一人。他们发现了一个iPad，里面有迄今为止拍摄的广告片段。然而，这部看似向让-吕克-戈达德致敬的华丽影片，很快就变成了类似《女巫布莱尔》的超自然噩梦。

　　Ashionye, a reluctant Nigerian Shaman living in the south of England, who has been hired by an old family friend, Isioma Williams, to investigate and expel a malevolent spirit that has been tormenting her family after the death of her estranged husband, Magnus. To the chagrin of her demon hunting partner, Marv Taylor, Ashionye reluctantly accepts the job as a way to repay an old debt she owes Isioma. As Ashionye digs deeper into Isioma’s family situation, she finds herself standing against a familiar force that brought about her trauma since childhood.

　　电影”前哨” 叙述,阐述,陈述,描写一个神秘商人找一队精锐雇佣兵，来庇护,维护,呵护,护卫他经过战争扰乱的东欧无人地带。当他带领他们进入一个早被遗忘的地下前哨时，他们无意地让一个潜伏的恐怖再度觉醒，而例行的庇护,维护,呵护,护卫任务变为求生任务，他们得拼命与一个他们从未面临,直面,应对,应付过的敌人苦战

　　在1950年的非洲，一位非洲部落的巫师用邪念杀死了欧洲人。

　　When the remains of two murdered Princes are discovered at the Tower of London, a troubled Priest must put his beliefs aside to befriend a mysterious prisoner, who has supernatural powers to communicate with the dead. Together they must solve the mystery of who murdered the Princes, as prisoners in the castle dungeon meet their bloody fates at the hands of the Princes' ghosts, who continue to haunt the Castle seeking their revenge.

　　A young couple take their first foreign holiday together. Yet, behind the couple's happy smiles lies a hidden desire. They turn to a mysterious local woman for help, but the truth of the situation is more destructive than they feared.

　　Locked in her flat for several years, a reclusive young woman stumbles upon a mysterious web community. According to an urban myth, the Suicide Club grants death to those wishing for it. Unless these "cyber suicides" are actually murders.

　　多位先锋恐怖片导演联合制作的恐怖短片合集

　　Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.
　　Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.