A musical retelling of Charles Dickens' classic novel about an old bitter miser taken on a journey of self-redemption, courtesy of several mysterious Christmas apparitions.
　　In 1860, cranky old miser Ebenezer Scrooge hates Christmas; loathes people and defends the decrease of the surplus of poor population; runs his bank exploiting his employee Bob Cratchit and clients, giving a bitter treatment to his own nephew and acquaintances. However, on Christmas Eve, he is visited by the doomed ghost of his former partner Jacob Marley that tells him that three spirits would visit him that night. The first one, the spirit of Christmas Past, recalls his miserable youth when he lost his only love due to his greed; the spirit of Christmas Present shows him the poor situation of Bob's family and how joyful life may be; and the spirit of Christmas Future shows his fate. Scrooge finds that life is good and time is too short and suddenly you are not there anymore, changing his behavior toward Christmas, Bob, his nephew and people in general.

　　《谍海群英会》是一部电影，影片以第二次世界大战为背景，叙述,阐述,陈述,描写了一个孤胆英雄英国间谍奎勒只身和德国纳粹残余斗争的勇闯虎穴、智斗群魔式的故事，主人公具有007的个人英雄主义，情节惊险、悬疑、趣味十足，是间谍片里的经典之作。曾荣获英国电影学院奖最佳影片、最佳编剧、最佳男主角、最佳摄影、最佳服装等多项提名。

　　故事出现,产生,形成,酿成在1890年的巴黎，亨利（何塞·费勒 José Ferrer 饰）是一名画家，他常常现身于“红磨坊”之中，当他人沉浸在灯红酒绿纸醉金迷之中时，亨利只是埋头专心作画。一次偶然中，亨利结识了名为玛丽（科莱特·玛钱德 Colette Marchand 饰）的女子，在援助,协助,辅助,助力她脱离险境之后，亨利被美丽开朗的玛丽迷住了。
　　随着时间的推移，亨利发现了玛丽的反复无常和不可信任，一颗炙热的心在反复的伤害之中逐渐冷却。终于，亨利的绘画事业有了起色，他为“红磨坊”所绘的广告画受到了外界的关注和认可。之后，亨利又遇见了善意,良善,仁慈,慈善勤劳的老板娘，尽管对老板娘心怀好感，但感情饱受伤害的亨利却抉择,挑选,取舍,取择了将感情埋藏在心底，直到老板娘成为了别人的新娘。

　　1934年的伦敦，伊恩·麦克莱恩饰演,出演,演出,表演,出演,担纲,担当镇上最令人畏惧的戏剧评论家吉米·厄斯金，杰玛·阿特登饰演,出演,演出,表演,出演,担纲,担当女演员尼娜·兰德，决心赢得他的青睐。当吉米发现自己成为发表评论的报纸的新老板大卫·布鲁克（马克·斯特朗 饰）的目标后，尼娜陷入了一个充满勒索、欺骗和谋杀的危险网络中。

　　黑人影帝西德尼·波埃特脍炙人口的名作之一，他饰演,出演,演出,表演,出演,担纲,担当一名中学教师，应聘到伦敦的公学任教，学子,门生,弟子,学员都是喜欢惹事生非的顽劣青年，甚至有人向他下面挑战。他施展浑身解数感化这群坏学子,门生,弟子,学员，终于赢得了应有的尊敬。

　　A medieval fantasy drama following the 'Knights of the Damned'.

　　故事出现,产生,形成,酿成是北爱独立战争期间。英国士兵乔迪（福里斯特·惠特克 Forest Whitaker 饰）在阿尔马遭到了北爱共和军的绑架，共和军企图用他来交换被英军扣押的俘虏。看守乔迪的是弗格斯（斯蒂芬·瑞 Stephen Rea 饰），他的内心对杀戮和战争感到迷失和无奈，对乔迪的经历,碰到,遇到,邂逅感到恻隐与同情，他们成了好伙伴,好友,挚友,密友。共和军最终没换来俘虏，上头要求弗格斯处决乔迪，弗格斯暗中放走了他。乔迪走前交给弗格斯一张他女伙伴,好友,挚友,密友迪尔的照片，告诉弗格斯可以去伦敦找他的女伙伴,好友,挚友,密友迪尔。
　　不料乔迪逃走时却误被来袭击的英军坦克轧死了，早已厌倦了战争的弗格斯逃到了伦敦，化名吉米。他在伦敦找到了迪尔，被她深深吸引，后来在旅馆时却发现她是男儿身。此时爱尔兰共和军传来消息，他们已经判了弗格斯死刑，他们要求弗格斯去执行一次同归于尽的任务！

　　1908: Pascali, a spy for the Sultan, sends reports to Istanbul that nobody reads. His suspicions are roused when a British archeologist appears, who may not be quite what he seems

　　《雪人》根据挪威作家Jo Nesbo在2007年出版的同名畅销小说改编，这部书是他以奥斯陆侦探哈里（Harry Hole）为主角创作的第七本小说。故事主要叙述,阐述,陈述,描写哈里在调查一位年轻妈妈失踪案件的时候，发现受害人院子里出现了一个神秘的雪人，而且它脖子上还围着这家孩子送给妈妈做圣诞礼物的粉红围巾。由此，哈里挖出了一系列有着相同情况的陈年旧案，一个总爱在落下第一场雪时作案的连环杀人犯浮出了水面……
　　《雪人》将由环球公司和Working Title公司联合摄制，如果影片反响良好的话，Jo Nesbo的另外六部侦探哈里小说也将有机会登上大银幕。

　　本片叙述,阐述,陈述,描写了1924年英国两名奥运健将的故事。1919年，剑桥大学凯斯学院的开学礼上迎来一名叫亚伯拉罕（本·克劳斯 Ben Cross 饰）的犹太学子,门生,弟子,学员。他擅长跑步，参加剑桥的环校挑战赛后一战成名。然而犹太人的身份让他饱受种族偏见之苦，因此他一心想赢得奥运会百米赛跑的金牌， 以此来对抗种族偏见。另外一位短跑健将是来自苏格拉高地的艾利克里德（伊安·查里森 Ian Charleson 饰），他极具跑步天赋，而他本人是个虔诚的基督教徒，认为自己的天赋来自上帝，他是为上帝而跑。在1923年的全国性运动会上，两名青年狭路相遇,碰面,相会,邂逅，艾利克里德最终赢得冠军。亚伯拉罕则请来了职业教练指导自己，备战奥运。
　　1924年的巴黎奥运会来临，艾利克里德却得知百米资格赛在星期天举行，作为一名基督徒，他严格遵守着“安息日不得职业,事业,工作岗位,职责”的教义，最后他决心,打算,计划,准备退出百米赛。另一方面，亚伯拉罕不仅要面临,直面,应对,应付强大的美国名将，更要面临,直面,应对,应付自己的内心。这枚奥运金牌，将花落谁家……

　　盖尔（雷·温斯顿 Ray Winstone 饰）曾是一名在“职场”上叱咤风云的大盗，如今，早已远离了江湖的他和妻子迪迪（阿曼达·莱德曼 Amanda Redman 饰）在一幢山间别墅内过着闲适惬意的日常,生存,生计,日子，在好友艾奇（Cavan Kendall 饰）和杰克（Julianne White 饰）的陪伴下，盖尔觉得当初的金盆洗手是一个正确的决心,打算,计划,准备。
　　一位不速之客的到来终结了盖尔的安静,宁静,沉静,恬静日常,生存,生计,日子，他的名字叫唐（本·金斯利 Ben Kingsley 饰），是盖尔曾经的合作伙伴。唐行事暴躁，个性阴晴不定，他就犹如一颗定时炸弹，让盖尔提心吊胆。盖尔最不愿意见到的事情还是出现,产生,形成,酿成了，原来，唐的此次到来有着他的目的，那就是重新将盖尔拉上贼船，他要干一笔大买卖——抢劫英格兰银行。

　　为了追寻,寻求,探寻,寻觅真正意义上的自由，两对男女抉择,挑选,取舍,取择一同上路，起始,开端,肇始,启始了将近两年的旅途。有一天，黛比接到妈妈,母亲大人,娘亲,老妈妈的电话，得知爸爸,父亲大人,爹爹,老父亲病危，于是四人便原路回到了英格兰。每个人都被死亡将至的阴霾笼罩，各自对人生，对死亡，也产生了不同的认知。

　　约翰尼·德普将领衔,主役,担纲,主角惊悚片《水俣病》(Minamata)，饰演,出演,演出,表演,出演,担纲,担当史上最著名的摄影记者之一尤金·史密斯。影片由Andrew Levitas(《摇篮曲》)执导，明年1月在日本开拍，也将去塞尔维亚拍摄。叙述,阐述,陈述,描写因二战时期作品而知名的摄影师史密斯在1971年本已隐居，但受Life杂志编辑Ralph Graves委托，他再次拿起相机，去日本记录因汞污染引起的震惊全球的怪病“水俣病”现状，和政府所做的掩盖。当时该事件已进入确定责任阶段，受害者与企业谈判中。

　　Richard Feynman is one of the most iconic, influential and inspiring scientists of the 20th century. He helped design the atomic bomb, solved the mystery of the Challenger Shuttle catastrophe and won a Nobel Prize. Now, 25 years after his death - in his own words and those of his friends and family - this is the story of the most captivating communicator in the history of science.

　　本片用迷幻的影像和摇滚乐叙述,阐述,陈述,描写了一个非典型乐队主唱的老成,稳重,老练,练达,长大,发展,进步史。儿时，平克（鲍勃•吉尔道夫 Bob Geldof  饰）的爸爸,父亲大人,爹爹,老父亲在二战中身亡，妈妈,母亲大人,娘亲,老妈妈与家庭医生关系暧昧，这让他幼小心灵备受创伤。在学校，他对呆板的填鸭教育深恶痛绝，时刻准备着绝地反击。成年后，他在泡吧时结识了风骚的舞女，并与之出现,产生,形成,酿成了关系。然而，性欲的满足感并没有维持太久，他就厌倦了这种不靠谱的感情，特别是他对于女人的猜疑,疑惑,质疑,存疑和嫉妒达到了无以复加的地步，因此当对方再度示好投怀送抱的时候，他便歇斯底里地爆发了，仿佛要把全世界都砸碎了才算安心。在此期间，他还传达,表示,显露,透露了强烈的反战情绪和愤世嫉俗的观念，在物质丰富的日常,生存,生计,日子中，他的精神日常,生存,生计,日子极度匮乏，在工业化大行其道的环境里，他还固守着梦想的断壁残垣……

　　Joe 'Tom' Yateley is an ex-convict. Trying to leave his past behind, he decides to starts working for the Hawlett Trucking company, which transports gravel. It's an aggressive company, where speed is everything. Doing too less runs in a day? You're out. Red is the most experienced trucker, he can do 18 runs in a day. Tom soon makes friends with Lucy, the secretary, and Gino, a driver. But the record of Red intrigues him and he wants to break it. Gino advises against it, but he helps Tom when he wants to go through with it. Soon trouble begins when Red and the other drivers form an united front against Tom. Just when Tom has enough and decides to pack his bags, Lucy tells him Gino had a terrible accident. She also tells about the corruption of Hawlett Trucking.

　　约瑟夫·罗西导演的带有黑色电影风格的犯罪片，曾号称是英国电影史上最蛮横,粗鲁,野蛮,凶暴（toughest）的电影，尽管以当代的标准来看本片尺度并说不上大，但对60年代英国监狱的详细刻画,描摹,勾勒,描述、出色的摄影、斯坦利·贝克卓越,杰出,出众,出色的表演以及动听的主题曲都让本片颇具看点。故事叙述,阐述,陈述,描写前科犯约翰尼·巴尼恩出狱后，与黑帮成员迈克·卡特等人合作一起抢劫赌马场，但事后造人背叛，再次锒铛入狱，然而藏匿赃款之处只有巴尼恩一人知道。由于巴尼恩在A区混得风生水起，狱长故意将其调去B区，但在B区老大弗兰克·萨夫瑞恩的协助下，巴尼恩再次重返A区。在狱中得知迈克·卡特的势力已经越来越大，并为了找到赃款挟持了他的女友苏珊娜后，巴尼恩找萨夫瑞恩援手,搭手,帮衬,帮助，打算越狱逃走阻止卡特。

　　In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..

　　亚历山大艾伯林，俄国人，在经历过一段地狱式训练后成为一名高级间谍被派到英国情报局卧底，秘密执行各种间谍任务，时间转瞬即逝在英国情报局总共呆了18年之久，长期的间谍任务使他心力交瘁，于是他想重回祖国的怀抱，但是被他的上级否决，此时，他又被派到英国各处秘密执行暗杀计划，此时亚历山大·艾伯林人生有了新变化，个人安全处在危在旦夕中……

　　12岁的Gillie witnesses是一个波兰水手，她杀害了他的女友并弄到一枝枪，当警察询问她枪支的下落时，她编造了一个故事，这导致了一系列严重的后果。

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

　　When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it. The commission takes their relationship to unexpected places as the young client makes greater and more difficult demands of the woodcarver's ability, and as Christmas approaches, the three struggle to come to terms with each other, their painful memories and the process of putting their unhappiness behind them.
　　Written by Anonymous

　　二战前夕，英格兰约克夏郡。受动荡时局的影响，欧洲的下层人民日常,生存,生计,日子艰辛。矿工山姆（约翰·林奇 John Lynch饰）和妻子莎拉（萨曼莎·莫顿 Samantha Morton饰）一直过着极其窘困的日常,生存,生计,日子。然而承担一亲人,亲属,眷属,家属日常,生存,生计,日子的山姆，还是失去了这份唯一的职业,事业,工作岗位,职责。他们的孩子,男孩,少年,男童乔（乔纳森·梅森 Jonathan Mason饰）在学校遭受教师,导师,师长,恩师的毒打，他唯一的慰藉只有他心爱的牡羊犬伙伴,好友,挚友,密友莱西。然而为了维持生计，山姆不得不将莱西卖给鲁德林公爵（彼德·奥图 Peter O'Toole饰）。
　　失去莱西的乔非常悲伤,难过,哀伤,痛心，妈妈,母亲大人,娘亲,老妈妈莎拉也很悲伤,难过,哀伤,痛心,苦闷,悲伤,忧伤。而想念,惦记,挂念,牵挂乔的莱西，也几次从公爵家偷跑出去，但忠厚的山姆一家每次都忍痛将它归还。终于，公爵要携孙女回到遥远的苏格兰居住，莱西也将被一起带走。

　　剧情叙述,阐述,陈述,描写印度加尔各答修道院的克罗塔修女奉调到纳普修道院当院长，纳普修道院在印度北方海拔8000尺高山上，常年刮着强风。克罗塔建立学校和医院，连小将军都来受教育。克罗塔虽从百废待兴中辛勤职业,事业,工作岗位,职责，治理得有条有理，但年轻的修女们在偏远高山上全凭自律修持，唯美的环境使精神受到挑战，在不断的诱惑下，无法把持者只有舍弃,抛弃,割舍,摒弃圣职。在此中有如智者所言，只有圣者和俗人可能生存——因为日常,生存,生计,日子在大自然中只有修身养性或是随波逐流。
　　
　　后来，出现,产生,形成,酿成了幼儿病死及露丝修女因爱恨还俗并欲杀害院长反坠入深谷等事件，克罗塔也因此离去,分离,离别,离别,分别,分离,别离,分散,远离,分离纳普修道院以弥平心中的伤痕。
　　
　　
　　相关评价
　　迈克尔．鲍威尔导演，本片展现,呈现,显现,体现出人性在环境的影响下可以转变,变化,蜕变,变迁的不争事实，在人性脆弱的时候，就不能抗拒环境带给它的压力，和抵抗外来环境的影响的自制。影片在展现,呈现,显现,体现角色内心挣扎的细微活动细致，演员在诠释各种角色的角度也把握得非常好。