In an underground facility, five scientists wake from cryosleep with no memory of who they are or how long they've been asleep. They soon make a shocking realization: a killer is hunting them down there, and may even be hiding among them.

　　"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in '39 and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film.
　　The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate.
　　The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere.
　　The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry.
　　It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.

　　A young man trapped in his apartment with a swarm of demons outside his door must find a way to survive the night and escape from apartment 213.

　　在这种可怕的小绿人的传奇故事的情节中，外层空间的妖精妖精前往矿山的行星偷走黄金，并娶了他梦想中的女孩。当她救起一个单位的银河的突击队员，妖精受到了血腥的报复。

　　Set in an uncanny future — or perhaps a slightly alternate present where cellphone technology is nowhere to be found — Anna and her partner Ryan have achieved every couple’s dream: they are in possession of a document certifying their true love. Their comfortable if somewhat mundane life, however, leaves Anna questioning their successful love test, administered by placing their extracted fingernails into a cutting-edge machine. Anna soon begins working for the Love Institute under the tutelage of Duncan (Luke Wilson), which, in addition to determining a couples’ status via the mysterious test, trains them to deepen bonds. There, she’s paired with the experienced — and devastatingly charming — Amir to take couples at various stages of relationships through a series of love-building activities before the big test. As the new colleagues work to ameliorate the connections of clients, Anna begins to wonder if perhaps Amir is her one true love and if trusting her own feelings is a more reliable metric than what is determined by a machine.

　　获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，叙述,阐述,陈述,描写的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片，该片由他自己投资，并身兼编剧、导演、领衔,主役,担纲,主角数职，体现出独立电影的“DIY”精神。另外，令人津津乐道的是该片不足7000美元的超低制作成本，只相当于一辆富康车的价钱……

　　一个偏僻的小镇上，四个小男孩共同在一个废弃车站救了一个智障男孩，由此各自获得了神秘的能力。此后的25年里，四个人长大成人、各奔东西，但在每年的狩猎季节仍要重聚在缅因州的森林里度假，一起重温童年的欢乐,愉快,欢喜,欢乐,愉快,欣喜,喜悦,欢畅,喜悦,欣喜。又到了一年聚会的时候，四人到了森林，却被一场暴风雪困住，与此同时降临的还有一些来自外星的古怪生物，四个人逐渐明白,明了,知晓,理解到，外星生物想要对人类展开控制，而当地驻军的遏制方案是连同小镇所有人一起毁灭。四人果断参与进这起事件，起始,开端,肇始,启始搜寻,寻觅,查找,探寻儿时的能力，试图打退外星人，拯救当地平民……

　　科学狂人把美女变成怪物

　　核子大战十七年后，仅存的人类被集中看管，电脑像狱卒一样，人类被机器人囚禁着。人类已丧失生育能力而只能活活等死。为研制新人种，人类在实验室秘密培育胎儿，以此拯救人类。不料消息走漏，监控电脑派出机器杀手追杀已育有胎儿的妈妈,母亲大人,娘亲,老妈妈玛莉。实验室被毁，玛莉饶幸逃脱，在末日勇士奥斯汀的护卫下，躲避着疯狂的追杀.........人类的渴望,期望,盼望,企望是否破灭.......

　　Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.
　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.
　　COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."
　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.

　　一个险恶,凶恶,歹毒,恶毒的生育实验创造了一代扭曲的孩子。 一个无情的女人在破坏这些突变的婴儿之前已经做好了这件事，摧毁了这个世界！ 一个妈妈,母亲大人,娘亲,老妈妈和她唯一的伙伴,好友,挚友,密友在爱之间被撕毁了这个变形的人的排斥，并准备为了生存而战，但这个宝宝不需要爱。 它被编程为不惜一切代价生存。

　　In a future world in Seattle the High Schools are one step above the prisons. In a new program to insure that students will come to class and remain alert to their subjects...

　　故事出现,产生,形成,酿成在1978年，12岁的男孩大卫（乔伊·克莱默 Joey Cramer 饰）在意外之中坠入山谷，失去了意识。醒来后，大卫回到了家，却发现眼前的一切已经物是人非，原来此时的时间已经来到了1986年，这也就意味着，12岁的大卫需要面临,直面,应对,应付的，是八年后的未来世界，在大卫昏迷期间，究竟出现,产生,形成,酿成了什么？
　　大卫好不容易找到了失散的亲人,亲属,眷属,家属，当初比他小四岁的弟弟杰夫（Matt Adler 饰）如今已经长成了大男孩，而大卫却还是12岁的模样。之后，一艘外太空飞行物降落地球，而它的存在和大卫遇到的难解之谜有着千丝万缕的关联。于是，太空总署找到了大卫，渴望,期望,盼望,企望他能够协助调查此事。

　　故事是出现,产生,形成,酿成在第一集的七年后，上一集里的主人公安尼的妹妹萨曼莎和她最好的伙伴,好友,挚友,密友科利现在都已经18岁了，他们正计划着一次前往LA的公路旅行。但在路上，他们看到了奇异的景象......

　　本片是完全原创故事，超级英雄们不再是熟悉的样子，超人成为了佐德的孩子,男孩,少年,男童，蝙蝠侠成为吸血鬼，神奇女侠是“新神”，正义联盟为了摆脱被诽谤的罪名对科学家遇害事件展开调查。

　　威廉·夏特纳和伦纳德·尼莫伊2001年为纪念DeKelley拍的纪录片，整部就是两个人对话，超级有爱，两位爷爷唠家常的纪录片，看到最后谈到两个人关于人生终点的看法，WS和LN一同坐在LN家里的院子里，晴空微风，绿树绿草，两位老人时而大笑时而严肃的交谈，让人感觉甜蜜又感动，这是ST所延伸的又一份美满,美好,完美,美善。是经历了岁月越发耀眼的珍宝。

　　本片是《星舰迷航记》系列电影的第五集，由原班人马领衔,主役,担纲,主角，但改由饰演,出演,演出,表演,出演,担纲,担当寇克船长的威廉·赛特纳执导，也是他的导演处女作。故事描述一名神秘的疯狂幻想家赛布克占领了一个遥远的星球，劫持星际大使作人质，强迫企业号宇宙飞船紧急出发，进入没有人做访过的未知宇宙去搜寻,寻觅,查找,探寻传说中的上帝，但上帝到底是谁呢？本片的开场颇具震撼力，可惜发展下去难以为继，使大部分的篇幅在过分玄奥的故事框架中兴圈子，只能靠壮观的视觉特效维持其吸引力，幸好结局是略有起色，不致令观众太过失望。
　　正在基地修整的企业号接受了一项紧急任务，科克船长一行奉命到属于中立区的宁布星球，解救遭到叛徒控制的乐园市民。叛军挟持了企业号到银河系中心去搜寻,寻觅,查找,探寻根源。

　　Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.

　　A family man struggling to hold it all together discovers a hidden parlor that offers a solution...sexbots.

　　尼爾是個生在單親家庭的高中男孩，對科幻動漫英雄凡格情有獨鍾的他，因生性內向，在班上苦無伙伴,好友,挚友,密友，也得不到亲人,亲属,眷属,家属認同。直到尼爾遇上臭味相投且性格剛烈的茱莉亞，兩人一拍即合！在茱莉亞鼓勵下，尼爾鼓起勇氣投稿知名網站，立即引起網 站版主丹尼斯的注意??，他的出現，大大拓展尼爾的視野，卻也衝擊了兩位高中生的情誼。導演克萊雷佛以清新明快的筆觸，刻劃師生代溝、青少年的迷惘，乃至對性向的探索。電影裡逼真的動漫場景，與劇情互為表裡，充分展現了克萊雷佛的世界觀。

　　两位孤苦无依的孤儿、却有著不为人知的超能力、不料这个秘密被鲁莽的暴发户知道了，贪得无厌的他想借用他们的力量来完成他私人的欲望，勇毅,刚勇,英勇,勇武的孤儿联合起来逃出他的魔掌……

　　身处二十世纪的班，自妻子在一场意外丧生后，日常,生存,生计,日子中经历,碰到,遇到,邂逅的尽是些倒楣事；百般受挫的他带著独生女到俄亥俄州的某小镇上顶下了间小旅馆，重新装璜旧旅馆，不外是想图个太平日子好过，其他并无奢求。 某日有群神秘旅客竟然造访了班所开的小旅馆；只是自他们住进后，吓人的怪事就一直没断过。班看在丰厚房租的份上，便勉强暂时接受对方对异象连续出现,产生,形成,酿成的说辞。然而，越接近这群神秘客，班便越对他们来到小镇的目的起疑，满腹好奇地翻开每本护照后，竟发现上面尽是穿越各年代的记录！ 原来神秘客居然来自未来世界，尽管已过惯安逸日常,生存,生计,日子，却仍不免想偶而尝试下刺激滋味；结果，到现在世界经历〃灾难洗礼〃成了最佳旅游抉择,挑选,取舍,取择。因缘际会下，班有机会游走于时光隧道中，只是挽救既往与奔向未来却教他陷入两难情境！

　　俗话有云：最毒妇人心。得罪女友的后果常常会非常严重，更何况片中可怜的马特（卢克·威尔逊 Luke Wilson饰）冒犯的是超人女伙伴,好友,挚友,密友。其实，马特和女超人珍妮（乌玛·瑟曼 Uma Thurman饰）的爱恋,相恋,恋情,恋慕故事也起始,开端,肇始,启始得算是浪漫，但是马特却慢慢发现这个新女友的的超人面目。她爱闹脾气，占有欲强，霸气十足，让马特望而生畏。马特果断的和珍妮分了手。本来马特以为可以喘口气了，却不料他的“灾难”才刚刚起始,开端,肇始,启始。
　　珍妮凭借着自己的超能力，随时随地让马特栽进大坑。她想方设法让马特得不到一刻安宁，总是在日常,生存,生计,日子和职业,事业,工作岗位,职责中屡屡出丑。更糟糕,可怕,凄惨,悲惨的是，马特正在萌芽的新感情也泡了汤，他尝到了得罪女超人的后果：丢了职业,事业,工作岗位,职责，也无法正常的日常,生存,生计,日子。马特该如何收拾这个烂摊子，让珍妮手下留情……