威廉·夏特纳和伦纳德·尼莫伊2001年为纪念DeKelley拍的纪录片，整部就是两个人对话，超级有爱，两位爷爷唠家常的纪录片，看到最后谈到两个人关于人生终点的看法，WS和LN一同坐在LN家里的院子里，晴空微风，绿树绿草，两位老人时而大笑时而严肃的交谈，让人感觉甜蜜又感动，这是ST所延伸的又一份美满,美好,完美,美善。是经历了岁月越发耀眼的珍宝。

　　Sarah(凯伦·吉兰 饰)在收到绝症诊断后，决心,打算,计划,准备用克隆技术复制自己，以减轻她的离世对伙伴,好友,挚友,密友和亲人,亲属,眷属,家属造成的痛苦；可她却奇迹般地康复了。然而，此时她申请销毁自己的克隆复制品的尝试却失利,挫折,受挫,败北了，法院授权判罚：本体和克隆体必须进行决斗，两人只能活下来一个。

　　After seventeen years in prison, the former respected Parisian banker Paul Lavond flees with his friend, the lunatic scientist Marcel that is researching with his wife Malita the miniaturization of animals and human beings to improve the resources of mankind. Paul Lavond was framed for robbery by his scoundrel associates Emil Coulvet, Charles Matin and Victor Radin that had stolen his business while his family was doomed to shame, poverty and tragedy. When Marcel reduces the retarded servant Lachna, he learns that the woman is motionless and only responds to the control of his brain and has a heart attack. After the death of Marcel, Paul Lavond sees the chance to use the miniaturization process as instrument of vengeance and he travels to Paris with the insane Malita disguised of Madame Mandilip, a nice old lady and owner of a dolls store. Paul Lavond, using the identity of Madame Mandilip, befriends his resented and estranged daughter Lorraine Lavond and plots a scheme to revenge and vindicate his family name.

　　Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.

　　Mike Regan（皮尔斯·布鲁斯南 饰）拥有他想要的一切：美满的家庭，一栋顶级的全智能别墅，而他的公司则将彻底转变,变化,蜕变,变迁航空业。直到他信赖的ITguy因为Regan一家的冷落而失去理智，起始,开端,肇始,启始跟踪他的孩子,女孩,少女,千金，监视他的日常,生存,生计,日子….往日依赖的全智能家居和汽车系统如今成为最大的安全隐患。随着隐私的全面暴露，Regan一家陷入前所未有的恐慌，一场个人隐私和现代科技的博弈就此展开……

　　When a copycat strikes, two detectives ask a top serial killer for help.

　　《未来世界》由弗兰科和Bruce Thierry Cheung联合执导，刘玉玲、米拉·乔沃维奇、玛格丽塔·莱维瓦、苏琪·沃特豪斯等出演,加盟,参加,参与。设定在数十年后的将来，一位来自“绿洲”的年轻王子踏上一段冒险旅程，穿越“荒原”为濒死的妈妈,母亲大人,娘亲,老妈妈搜寻,寻觅,查找,探寻解药。在途中他遇见了Ash——最后一个有知觉的、毁灭人类的机器人。

　　50年前的一场核子战争几乎摧毁了人类，战争已经被废止，两国之间的领土争端通过机器人单挑来解决，同盟国机器人战士亚历山大，已经接连杀死了合纵国的九位机器人战士，为了争夺阿拉斯加，下一场战斗合纵国非胜不可，合纵国的机器人战士阿基里斯在前面的战斗中同样已经连胜九场，这次将由他来迎战亚历山大。这最后一站，不仅是为国家，更是为个人的恩怨情仇……

　　俗话有云：最毒妇人心。得罪女友的后果常常会非常严重，更何况片中可怜的马特（卢克·威尔逊 Luke Wilson饰）冒犯的是超人女伙伴,好友,挚友,密友。其实，马特和女超人珍妮（乌玛·瑟曼 Uma Thurman饰）的爱恋,相恋,恋情,恋慕故事也起始,开端,肇始,启始得算是浪漫，但是马特却慢慢发现这个新女友的的超人面目。她爱闹脾气，占有欲强，霸气十足，让马特望而生畏。马特果断的和珍妮分了手。本来马特以为可以喘口气了，却不料他的“灾难”才刚刚起始,开端,肇始,启始。
　　珍妮凭借着自己的超能力，随时随地让马特栽进大坑。她想方设法让马特得不到一刻安宁，总是在日常,生存,生计,日子和职业,事业,工作岗位,职责中屡屡出丑。更糟糕,可怕,凄惨,悲惨的是，马特正在萌芽的新感情也泡了汤，他尝到了得罪女超人的后果：丢了职业,事业,工作岗位,职责，也无法正常的日常,生存,生计,日子。马特该如何收拾这个烂摊子，让珍妮手下留情……

　　一个秘密实验室在接管并研究来自外太空的生物，没想一个科学家不幸被外星
　　人咬到从而出现,产生,形成,酿成异变，接下来事情变得越来越恐怖，未知病毒迫使人类异化成
　　恐怖恶心的食人怪物……

　　四年前的纽约市，蟑螂扩散的病毒造成瘟疫，差点将市内儿童灭绝，在公立学校任教的昆虫专家李美（艾莉丝高朗士Alix Koromzay饰）想出以毒攻毒方法：利用蚂蚁及白蚁的DNA研制一种取名「犹太」的新品种蟑螂，借着「犹太」体内的特殊分泌消灭蟑螂的体液，利用它们充当诱饵出卖肆虐的同类，「犹太」潜入蟑螂邋遢的栖息地把带菌蟑螂一网打垮，病毒最后亦得以控制。
　　破坏计划看似空前成就,胜利,凯旋,成果，人类在四年后的今天还以为顽固的蟑螂绝迹人间，可是，并非所有「犹太」的也在预期中百多日寿命限期内死亡，部份变种成新种类，这种超智版蟑螂能模仿人类，牠们杀害人类后，把受害者的面皮戴上，穿上大褛及利用两条后腿走路，牠们在李美的残破学校及黑暗的地铁管道匿藏。
　　与此同时，多宗残酷凶杀案的死者均是李美的的前男友，警方认为李美的嫌疑最大，遂派遣自以为聪颖过人的探员卡拉斯基\对李美进行调查。卡拉斯基起初也对李美充满猜疑,疑惑,质疑,存疑，但他却不相信,坚信,深信,笃信身型普通的李美，有足够力气在杀人后撕走前男友的面皮，再把尸体挂上高架灯柱之上。史上最巨大的无敌蟑螂再度变成杀人怪物，肯定对全人类安全构成威胁，李美只好再次迎战！

　　被第四类接触掳走的老豆化作畸变怪狗归家，寄生妇孺，石屎森林异象丛生：摇摇锤小丑，割喉溜溜球，巨大化玩具兵坦克黑豹轰杀食人，被害者感染作茧产卵……英式怪奇cult片，尺度比好莱坞大不少啊

　　城中一间名叫“蓝丝带”的洗衣店出现,产生,形成,酿成了一宗离奇命案，一名店员被店内一部最大最残旧的机器“意外地”杀死了。由于死因十分离奇，侦探肯顿（特德•莱文 Ted Levine 饰）认为这不仅仅是一宗意外这么简易,简约,朴素,单纯。于是，肯顿封锁了洗衣店并进行调查。一系列的调查结果恐惧，原来当年店铺开张之时，店主为了生意兴隆，与魔鬼达成协议，就是要向魔鬼献祭，喂活人血给店内的那部旧机器喝。
　　被警探救下的雪莉继承了工厂，又一个循环起始,开端,肇始,启始了……

　　"Dr. Cyclops" is known as one of the better "early sci-fi" films, made in '39 and released in 1940. (It is also in color.) But while the story has potential and there are some good moments, this is a very confused film.
　　The plot is simple - crazy mad scientist on some remote island can shrink animals, and wants to try it on humans. He manages this on a scientific team that came to check things out. They get angry, and the crazy scientist eventually gets really angry because his new shrunken subjects won't cooperate.
　　The thing is, the film doesn't seem to know if it wants to be a thriller, or a goofy movie. Dr. Cyclops (never called that but referenced to a Cyclops after one lens in his glasses breaks) looks cool in his "30's style sci-fi helmet" as he performs experiments and can be chilling at times. But there is so much "Disney-style goofy music" going on that it is hard to take anything seriously. The music belongs in a family comedy for the most part, and is played when the shrunken people do things like try to survive, and creep around the floor. Add that a few of them have pretty gruesome deaths and that just adds to the confusing atmosphere.
　　The FX aren't so bad but nothing special. The giant sets built are pretty impressive though. There is a scene where little fires are tossed at a real crocodile's head which probably made animal activists angry.
　　It also takes a long time for anything to really happen. This movie could have been done in a nice tight half-hour. Good for a viewing, but you probably won't watch again. The performance of the guy who plays Dr. Cyclops is definitely the main attraction.

　　在这种可怕的小绿人的传奇故事的情节中，外层空间的妖精妖精前往矿山的行星偷走黄金，并娶了他梦想中的女孩。当她救起一个单位的银河的突击队员，妖精受到了血腥的报复。

　　建筑师乔纳森·里弗斯（迈克尔·基顿 Michael Keaton 饰）和妻子安娜（钱德拉·韦斯特 Chandra West 饰）正满心欢喜等待新生命的到来。然而一场车祸过后，安娜离奇失踪，生死不明，乔纳森的人生从此跌入谷底。在他最为悲痛之际，一个名叫雷蒙德·普里斯（伊恩·迈克内斯 Ian McNeice 饰）的男人出现在乔纳森面前，他声称可以通过EVP技术让乔纳森听到妻子的声音。所谓“EVP”，即“超自然电子噪声现象”（Electronic Voice Phenomena），通过它可让生者与死者建立联系。
　　为了再次听到安娜的声音，从来不相信,坚信,深信,笃信任何灵异学说的乔纳森购置了相关设备，潜心研究EVP。在与妻子沟通的过程中，却不知危险正慢慢向他逼近……

本片是由约翰．霍夫导演的《逃出女巫山》的续集，是一部相当杰出的神秘冒险片。描述两个具有超感能力的小兄妹，乘飞碟自女巫山来到地球渡假，不料大哥东尼让一个野心的科学家劫持而去，并且控制了他的思想和行动，要他前往原子弹工厂加以破坏，从而勒索五百万巨款。其妹则藉心灵感应一直追寻他们的行踪。最后在危急关头，让娣亚用超感能力把科学家甘农手中的思想控制器破坏，解除了原子弹爆炸危机。本片可以说是一部儿童版式的成人娱乐片，片中大量采用成人片的趣味注入儿童世界，让这一代的早熟儿童与影片产生共鸣。

　　获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，叙述,阐述,陈述,描写的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片，该片由他自己投资，并身兼编剧、导演、领衔,主役,担纲,主角数职，体现出独立电影的“DIY”精神。另外，令人津津乐道的是该片不足7000美元的超低制作成本，只相当于一辆富康车的价钱……

　　这个是1978年老版得试播集，148分钟片长

　　犹太天才数学家马克西·米利安·科恩（希恩·格莱特 Sean Gullette饰）痴迷沉醉于数字的世界，他认为一切自然界的事物都可以用数字解释。他潜心研究，试图透过数字推演出种种生命迹象背后的奥秘和规律。可越是逼近答案，他越是无法忍受致命的头痛。他发现了过去十年来股票市场的混乱波动，其实是由背后的一套数学模式在操纵。与此同时，他的研究引来了华尔街股票市场的炒家们和犹太神秘教派的注意。在介乎真实与虚拟的世界中，马克西正在走向疯狂。
　　1996年2月，阿伦诺夫斯基起始,开端,肇始,启始筹备这部成本只有六万美元的长片处女作。两年后，《死亡密码》以其新颖的创意和崭新的拍摄手法，一鸣惊人。先是斩获圣丹斯电影节的导演奖，翌年又摘得独立精神奖的最佳编剧处女作奖。2000年，他再次自编自导了《梦之安魂曲》，也赢得了不错的反响。2005年，他还入围“最需要关注的好莱坞100人”。

　　三百年后的地球为一群高级科学家所统治，他们奴役贱民以供自己享乐，但有一名野蛮的毁灭者（肖恩·康纳利饰）闯进了科学家所建的世外桃源，使情况整个改观……

　　A party of archaeologists discovers the remnants of a mutant five-millennia-old Sumerian civilization living beneath a glacier atop a mountain in Mesopotamia.

　　Larry Talbot chips Frankenstein's monster out of a block of ice. When Talbot changes to the Wolf Man, the two creatures do battle.

　　Eric Braeden stars as Dr. Charles Forbin, who has created a supercomputer named Colossus, built solely for the purpose of controlling the nuclear defenses of the Western alliance. It isn't too long after, however, that the Russians announce that they too have built a similar computer for those same purposes on their side--Guardian. And when the two machines begin sharing information at a speed nobody can believe, an attempt is made to disable them.
　　This unfortunately just raises the machines' ire; and in retaliation, they launch their weapons at each other's home nations. The result is a chilling scenario that is potentially becoming all too real these days.
　　COLOSSUS: THE FORBIN PROJECT was not a big hit at the box office for various reasons. One is that its cast wasn't exactly well known. Another reason is that its ending isn't exactly a happy one. Still a third reason is that Universal had trouble trying to promote it in the wake of the huge success of Stanley Kubrick's 2001: A SPACE ODYSSEY. The latter reason is obvious: Colossus and Guardian, like HAL in the Kubrick movie, become central characters here. The difference here is that while HAL malfunctions due to a programming conflict, Colossus and Guardian remain all too stable, convinced beyond a doubt that they know how to protect Mankind better than Man himself. As the computers point out: "One inevitable rule is that Mankind is his own worst enemy."
　　Joseph Sargent's direction is efficient, and the special effects work of Albert Whitlock still manages to work despite its obvious age. An overlooked gem in the sci-fi genre, this should be given a revival.