跟随阿玛拉，她看似圆满,完满,尽美,尽善的日常,生存,生计,日子在一段涉及她的丑闻视频疯传后出现,产生,形成,酿成天翻地覆的变化，成为社会贱民，但她靠自己的奋斗,拼搏,奋进,进取试图摆脱困境。

　　The story of Aisha Chaudhary and her family.

　　公元前的印度孔雀王朝，宾头沙罗国王之子阿育王子（沙鲁克·汗 Shah Rukh Khan 饰）勇猛善战，虽遭兄弟忌恨陷害，却接连立下汗马功劳，声望扶摇直上。面临,直面,应对,应付荆棘环绕的王位，阿育起先沉着应对，不以为意，最终还是应妈妈,母亲大人,娘亲,老妈妈（Shilpa Mehta 饰）的苦苦哀求隐姓埋名，离去,分离,离别,离别,分别,分离,别离,分散,远离,分离王宫。修行途中，阿育邂逅美丽动人的卡列加公主卡瓦奇（卡琳娜·卡普 Kareena Kapoor 饰）。失意时节相知相守，一对不普通,寻常,一般,平常的青年男女爱情花朵恣意绽放。不过正如僧侣所说，太阳即使躲在云层后面仍是太阳，阿育注定重返王宫，继承王位。为此他与卡瓦奇生离死别，在金碧辉煌的宫殿内与政敌和外敌攻防周旋。在血雨腥风的斗争中，阿育的那颗心逐渐冰冷，攻城略地，征战杀伐，血流遍野，为了最顶点的荣耀，黑色阿育王逐渐膨胀。
　　史上最伟大的护法转轮王阿育，亘古流传的王者传奇……

　　塔潘·达斯是印度曲棍球队的一名经理，曾带领英属印度队拿下过1936年柏林奥运会的金牌，但他始终梦想着能够为独立后的印度拿到属于自己的金牌。在印度接近独立之际，塔潘发现了1948年伦敦奥运会的消息，他各方游说为即将到来的奥运会组建了印度曲棍球队，但球队却因印巴分裂被拆散。面临,直面,应对,应付多方阻挠，塔潘最终能否成就,胜利,凯旋,成果组建球队代表国家完成荣耀之战呢？

　　转眼之间，阿普（Smaran Ghosal 饰）长大了，然而，日常,生存,生计,日子却并没有因此而变得更加宽容。和父母搬去博纳斯之后没多久，阿普的爸爸,父亲大人,爹爹,老父亲就永远的离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了他的家庭，就这样，阿普和妈妈,母亲大人,娘亲,老妈妈过起了相依为命的日常,生存,生计,日子。
　　妈妈,母亲大人,娘亲,老妈妈渴望,期望,盼望,企望阿普能够成为一名神父，但阿普却并不这么认为，他渴望,期望,盼望,企望能够就读正规的学校。最终，妈妈,母亲大人,娘亲,老妈妈顺从了阿普的想法。阿普没有让妈妈,母亲大人,娘亲,老妈妈失望，他用出色的成绩和光明的前途向妈妈,母亲大人,娘亲,老妈妈证明了他的用功和奋斗,拼搏,奋进,进取。阿普得到了念大学的机会，但是，对于他贫困的家庭来说，这个消息既是喜讯，亦是噩耗，为此，阿普和妈妈,母亲大人,娘亲,老妈妈之间出现,产生,形成,酿成了激烈的争吵，这一次，在亲情和未来之间，阿普和妈妈,母亲大人,娘亲,老妈妈会做出怎样的抉择,挑选,取舍,取择呢？

　　Ruth is searching for her father – a man she hardly knew but cannot forget. Desperation drives her to work without a permit, at a massage parlour, where she gives ‘happy endings’ to unfulfilled men. Torn between several schisms, Mumbai becomes the backdrop for Ruth's quest as she struggles to find her independence and space even as she is sucked deeper into the labyrinthine politics of the city's underbelly.

　　世上看似没有联系的事情其实都有着千丝万缕的关系，《追梦》以小孩对披萨饼的渴望为主线，又叙述,阐述,陈述,描写了一个妈妈,母亲大人,娘亲,老妈妈对自己丈夫归家,返家,还家,归宅的期望,盼望,等待,渴望,期望,盼望,企望和一个不良青年不劳而获的白日梦。影片中的两个小孩对本地新开的披萨店特别好奇，特别想吃这家店的披萨，但是因为该店的消费水平太高，小孩的家庭负担不起，两个小孩又不甘心舍弃,抛弃,割舍,摒弃尝试，于是他们起始,开端,肇始,启始自己想尽办法挣钱、攒钱，就为能吃上那家店的披萨。

　　1857年印度民族起义期间，章西女王反抗英国在印度的统治。

　　出身中产阶级的拿尼（拿尼饰）与嫂子（布密卡饰）住在一起。他和女友（赛·帕拉维饰）过着欢愉,美满,欢乐,愉快,欣喜,喜悦,愉悦美满的日常,生存,生计,日子，但事情突然出现,产生,形成,酿成了变化，布蜜卡是一名政府公务员，她在瓦朗加尔经历,碰到,遇到,邂逅了一名可怕的罪犯（纳雷·什维杰饰）。故事的后半部分主要叙述,阐述,陈述,描写了一个像拿尼这样简易,简约,朴素,单纯的人如何直面可怕的歹徒，并拯救他的嫂子。

　　The struggle of a family of three as they search for a house to rent after being given an ultimatum to vacate their house by their land lady.

　　Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.
　　He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.
　　Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.
　　On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.
　　In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.
　　Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.
　　After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.
　　This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.
　　The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.
　　About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."
　　In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.

　　沙拉德·内拉尔卡毕生致力于成为一名印度古典音乐歌手，并奋斗,拼搏,奋进,进取遵循前辈们、大师和爸爸,父亲大人,爹爹,老父亲的传统理念和教导。但随着时间的流逝，沙拉德起始,开端,肇始,启始猜疑,疑惑,质疑,存疑他所追寻,寻求,探寻,寻觅的卓越是否真的现实。