一个失利,挫折,受挫,败北的板球运动员决心,打算,计划,准备在他30多岁的时候重返他的板球职业生涯，尽管每个人都对他的能力持猜疑,疑惑,质疑,存疑态度

　　A District Collector in India deals with water shortage problems in a village when she comes to realize that people are suffering a lot.

　　一名律师很没原则地接下了无德客户的委托，因此和道德感强烈的爸爸,父亲大人,爹爹,老父亲站到的对立面，而这位前任法官也有着一段往事。

　　Super30基于印度天才数学家Anand Kumar的非凡真实故事，他出生于印度比哈尔邦的一个非常贫寒,贫困,穷困,贫乏的家庭。Anand每年将30名高度贫困但学术上光明的学子,门生,弟子,学员引入他的“超级30”课程，并在一个高效设计的课程中免费教导他们学子,门生,弟子,学员援助,协助,辅助,助力他们破解印度最严格的印度理工学院（IIT）入学考试。这部电影捕捉了阿南德日常,生存,生计,日子的考验和磨难，以及他为建立“超级30”学院所面临的挑战。这是一个鼓舞人心的故事，叙述,阐述,陈述,描写了他的斗争和成就，以及一个人如何转变,变化,蜕变,变迁贫困学子,门生,弟子,学员的日常,生存,生计,日子。

　　印度演员苏地尔曾有过一段充实的职业生涯，尽管他出演的大多都是配角或反派。退休后，苏地尔回顾自己的电影历程，发现自己已经出演,加盟,参加,参与了四百九十九部电影，还差一部就能凑整。六十三岁的他不顾孩子,女孩,少女,千金的阻拦，决意舍弃,抛弃,割舍,摒弃退休日常,生存,生计,日子，重振旗鼓，回归演艺圈，出演一个令人难忘的角色。这一挑战谈何容易，但苏地尔认为值得一试。他想让这部最后的影片成为其第五百部出演,加盟,参加,参与的作品，为他的演艺生涯画上一个圆满,完满,尽美,尽善的句号。他坚信，自己将因这一角色被观众永远记住。

　　一名导演因与一位电影明星在公开场合出现,产生,形成,酿成争吵而名誉扫地。为了报复这位演员，导演绑架了他的孩子,女孩,少女,千金，并实时拍摄了他搜寻,寻觅,查找,探寻孩子,女孩,少女,千金的过程。

　　A whodunit thriller set in the backdrop of North Kolkata with its British Raj charm, based on Agatha Christie's Cards on the Table.

　　雷艾（Chhabi Biswas 饰）出生于富贵之家中，世世代代都是坐拥着土地的地主阶级，雷艾自然继承了家族的财产，可是，他的心思却并不在好好经营这份财产之上。雷艾对音乐有着狂热的喜爱，常常斥巨资举办音乐会，请来大师名流进行演奏。就这样，上一代积攒下来的财富就在雷艾的一次又一次挥霍中越来越少。
　　马兴（Gangapada Basu 饰）是雷艾的死对头，他同样是一名音乐爱好者，两人互相攀比音乐会的排场，互相质疑彼此对于音乐的品味。为了战胜马兴，雷艾不顾拮据的经济状况大肆挥霍，甚至为了满足自己的虚荣而付出了亲人,亲属,眷属,家属的性命作为代价。最终，雷艾家破人亡，濒临疯狂的他在散尽了最后一笔钱后抉择,挑选,取舍,取择了死亡。

　　Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.
　　He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.
　　Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.
　　On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.
　　In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.
　　Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.
　　After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.
　　This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.
　　The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.
　　About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."
　　In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.

　　在这部情节剧里，一个贫寒,贫困,穷困,贫乏的妇女在许多磨难中抚养她的孩子,男孩,少年,男童。但无论怎样挣扎，都要坚守自己的道德准则。
　　这部电影从完成一条以现在为背景的村庄的水渠起始,开端,肇始,启始。拉达（Nargis）作为村里的妈妈,母亲大人,娘亲,老妈妈，被要求打开运河，忆起,追忆,回想,缅怀起她新婚时的往事，反映了印度新的独立。拉达和沙姆（Raaj Kumar）的婚礼是由拉达的婆婆支付的，她从放债人Sukhilala那里得到了一笔贷款。这件事起始,开端,肇始,启始了拉达所忍受的贫寒,贫困,穷困,贫乏和苦难的螺旋式上升。贷款的条件有争议，但村里的长老们决心,打算,计划,准备支援,扶持,拥护,维护放债人，之后沙姆和拉达被迫支付四分之三的庄稼作为贷款500卢比的利息。在试图利用更多的土地来减轻贫困的同时，沙木的手臂被一块巨石压碎。他为自己的无助感到羞耻，也为村里的其他人感到羞耻。他觉得自己对亲人,亲属,眷属,家属没用，就离去,分离,离别,离别,分别,分离,别离,分散,远离,分离了，再也不归来,返回,回归,还来了。不久之后，拉达的婆婆去世了。拉达持续,延续,存续,连续着……

　　德里监狱一条街 打听打听谁是爹

　　舒亚被困在了35楼的空房间, 没有食物, 没有水 ,也没有电, 而女友就要嫁人, 十万火急! 这次阿三终于不开挂了。

　　少女伊西亚（塞伊拉·沃西 Zaira Wasim 饰）拥有着一副天生的好嗓子，对唱歌充满了热爱的她做梦都想成为一名歌星。然而，伊西亚日常,生存,生计,日子在一个不自由的家庭之中，妈妈,母亲大人,娘亲,老妈妈娜吉玛（梅·维贾 Meher Vij 饰）常常遭到性格爆裂独断专横的爸爸,父亲大人,爹爹,老父亲法鲁克（拉杰·阿晶 Raj Arjun 饰）的拳脚相向，伊西亚知道，想让爸爸,父亲大人,爹爹,老父亲支援,扶持,拥护,维护自己的音乐梦想是完全不可能的事情。
　　某日，妈妈,母亲大人,娘亲,老妈妈卖掉了金项链给伊西亚买了一台电脑，很快，伊西亚便发现，虽然无法再现实里实现梦想，但是网络中存在着更广阔的舞台。伊西亚录制了一段蒙着脸自弹自唱的视屏上传到了优兔网上，没想到收获了异常热烈的反响，著名音乐人夏克提（阿米尔·汗 Aamir Khan 饰）亦向她抛出了橄榄枝。

　　维杰（阿贾耶·德乌干 Ajay Devgan 饰）和妻子娜蒂尼（施芮娅·萨兰 Shreya 饰）成婚,完婚,婚配,嫁娶多年，将两个孩子,女孩,少女,千金安久（伊西塔·杜塔 Ishita Dutta 饰）和安努（莫伦诺·贾达夫 Mrunal Jadhav 饰）抚养长大，一亲人,亲属,眷属,家属过着宁静的日常,生存,生计,日子，平淡之中自有真味 。某日，安久去参加野营，结识了名为萨姆（Rishabh Chaddha 饰）的男生，此时的她并不知道的是，这位看上去文质彬彬的男孩，会彻底粉碎她的日常,生存,生计,日子。
　　撕下了伪善面具的萨姆竟然想要强暴安久，在激烈的挣扎反抗之中，安久失手杀死萨姆。维杰决心,打算,计划,准备挺身而出庇护,维护,呵护,护卫他无辜的亲人,亲属,眷属,家属，自小热爱看电影的他利用从电影里学到的知识对萨姆的尸体进行了处理和掩埋，但警察的来访让这个家庭再一次陷入了危机之中。

　　一场聚会上，一名女生为了拒绝男生的侵犯而失手砸伤男生，随后她与同伴不断受到男方的威胁和骚扰，并被男方以“故意伤害罪”告上法庭，一场黑白颠倒的诉讼就此展开。在这场黑白颠倒的诉讼中，几位女生该如何走出“规则”的困局？

　　《三傻大闹宝莱坞》《我的个神啊》卖座导演拉吉库马尔·希拉尼，携手《巴菲的奇妙命运》兰比尔·卡普尔，把印度传奇演员桑杰·达特不普通,寻常,一般,平常的演艺生涯搬上大银幕。他是宝莱坞最耀眼的明星，也坠落至最阴暗的人生低谷；他领衔,主役,担纲,主角无数经典收获影迷赞誉，也曾沉迷毒海无法自拔，甚至因与地下黑帮与恐怖主义的关联而锒铛入狱。片名 “Sanju” 来源于桑杰·达特的妈妈,母亲大人,娘亲,老妈妈为他取的小名。

　　当一名幼儿园教师,导师,师长,恩师——亚米·高塔姆绑架了 16 名小学子,门生,弟子,学员并提出一系列要求时，不仅震撼了孟买警察和城市，而且在全国及其政界人士中引起了反响。

　　Hareesh and Reshmi are an immigrant couple from Kerala working in a medical gloves factory near Delhi. During the COVID-19 lockdowns, when an old video resurfaces among the factory workers, it opens up a Pandora’s box that threatens the couple’s jobs and marriage. As desperation and hostility mounts, they confront their own needs and desires while torn between a life of conscience and compromise.

　　皮库（迪皮卡·帕度柯妮 Deepika Padukone 饰）是一名女建筑师，在职场中非常精明强干的她日常,生存,生计,日子里也是独立自主的新兴女性。妈妈,母亲大人,娘亲,老妈妈过世后，皮库不忍心看到爸爸,父亲大人,爹爹,老父亲落单，于是关照,照应,关怀,关爱和陪伴爸爸,父亲大人,爹爹,老父亲的责任就全部落在了她的肩上。然而，孤寂,寂寥,冷寂,寥寂,孤寂,寂寥,孤单的日常,生存,生计,日子和丧妻的悲痛让爸爸,父亲大人,爹爹,老父亲的性格变得越来越古怪，父女之间的隔阂渐渐变深，矛盾一触即发。
　　父女两人在加尔各答有一处房产，房产中介企图说服皮库的爸爸,父亲大人,爹爹,老父亲将这处房产卖掉。老爸爸,父亲大人,爹爹,老父亲不但拒绝了中介的建议，还要求孩子,女孩,少女,千金驱车带他前往加尔各答，就这样，父女两人上路了。途中，他们还遇见了出租车旅游公司的老板拉纳（伊尔凡·可汗 Irrfan Khan 饰）。

　　根据斯里尼瓦斯-罗摩占陀罗-希拉斯教授的真实故事改编。S-R-希拉斯教授因同性性行为被曝光而被职业,事业,工作岗位,职责已久的大学停职，身处舆论的漩涡之中，而这场突如其来的风暴给他的内心带来的转变,变化,蜕变,变迁却远不止于此。
　　本片荣获两项最佳男主角奖项，和一项最佳男配角提名。

　　根据真实事件改编，印度农民沙拉布吉特因为喝醉酒误闯印巴边界，被巴基斯坦游骑兵当做间谍以及恐怖分子进行逮捕，关押在巴基斯坦监狱将近20年，沙拉布吉特的姐姐花了大半辈子的时间试图营救弟弟，将他带归家,返家,还家,归宅乡。

　　Power cannot be given.  It has to be taken.
　　Sarkar是最接近神的人。

　　The Indian version of The Godfather, with the focus on SARKAR, an Indian politician.
　　印度版的《教父》，可能会成为印度最成就,胜利,凯旋,成果的黑帮电影……
　　这里没有对与错，只有权利。Suresh Nagre是一位“Sarkar”，拥有一帮职业杀手，影响着法律标准的界定。他是权利的中心，他能够罢免内阁，并将其他人换上。他是笃信宗教的，但他不会因此而内疚。他可以成为毁灭性人物，只要他愿意，他可以让整个城市投入烈焰中。他的家庭由妻子，孩子,男孩,少年,男童Vishnu 和Shankar，及Vishnu的妻子和孩子,男孩,少年,男童组成。他的房屋就像是个堡垒，由忠心耿耿的匪军庇护,维护,呵护,护卫着。我们只能认为Sarkar是从天堂落入凡间的，因为没有其任何背景。此外Sarkar从不卷入被他援助,协助,辅助,助力过的人士间的金融交易，甚至拒绝贿赂来避免非法运作的出现,产生,形成,酿成。而这必然导致分歧...